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1  which these stimuli were perceived (vision, audition).
2 cts on representations of a second modality (audition).
3  of perceiving vision as delayed compared to audition.
4 f the visual system but are less explored in audition.
5 e scales, which are particularly relevant to audition.
6 ory perception is an intricate feat of human audition.
7 y extra-musical semantic information through audition.
8            Vision was hardly recalibrated by audition.
9 in ASD has not been directly investigated in audition.
10 ed that combines information from vision and audition.
11  the temporal bone play an important role in audition.
12  of similar adaptation to radical changes in audition.
13 lanation for this central issue in music and audition.
14 l and functional role for dopamine in normal audition.
15 ns onto regions concerned with olfaction and audition.
16 t of the relative influence of vision versus audition.
17 g an extensive reexamination of invertebrate audition.
18  and potentially predictive information from audition.
19 ncy selectivity and sensitivity in mammalian audition.
20 t of phonological representations depends on audition.
21 ge to traditional models of neural coding in audition.
22 s than during localization in both touch and audition.
23 tion within the mammalian cochlea to enhance audition.
24  A similar phenomenon has been documented in audition.
25 imuli into electrical impulses that subserve audition.
26 es in the MGv perform different functions in audition.
27 s between acoustic elements are important in audition.
28 y during attention shifts between vision and audition.
29 ed at locations that were task-irrelevant in audition.
30 oluntary attention shifts between vision and audition.
31 of sensory functions including olfaction and audition.
32 n and movement, can be perceived by touch or audition.
33 ime as a sensory modality, akin to vision or audition.
34                                           In audition, analysis of temporal frequency is necessary fo
35 ial attention and expectation selectively in audition and assessed their effects on behavioral and ne
36  contains the sensory organs specialised for audition and balance, develops from an ectodermal placod
37 to right, hemispheric cortical substrates of audition and communication in this highly social and voc
38 ribed in octavolateralis nuclei dedicated to audition and electroreception.
39 experiments how information originating from audition and imagery affects the brain activity patterns
40 ound, and touch), the location of a speaker (audition and sight), and the rhythm or duration of an ev
41 sampled by two of the major sensory systems, audition and touch, notwithstanding that these signals a
42 ency channels are perceptually linked across audition and touch.
43 quency is a fundamental sensory dimension in audition and touch.
44  simple duration-detection mechanisms across audition and touch; these systems were chosen because fi
45 ossmodal influences operating from vision to audition and vice versa are interactively controlled by
46                                              Audition and vision both form spatial maps of the enviro
47 because the weight of evidence for MMNs from audition and vision is that they occur without endogenou
48 s with increasing cognitive demands for both audition and vision.
49  universal crossmodal correspondence between audition and vision.
50 n suppression across two modalities (vision, audition) and with four stimulus categories (faces, obje
51 ystem, including unconscious proprioception, audition, and arousal.
52 mic sensory signals, such as occurs in human audition, and as a means to lock an intrinsic rhythm to
53 multiple sensory modalities, such as vision, audition, and chemosensation.
54 ry in many sensory systems including vision, audition, and olfaction.
55        Our results-consistent across vision, audition, and somatosensation-suggest that the neurobiol
56 n be resolved are well understood in vision, audition, and somatosensation.
57 blindness', has been reported within vision, audition, and touch.
58 r the monkey's cerebral memory mechanisms in audition are intrinsically different from those in other
59 ems (vision, olfaction, somatosensation, and audition) are thought to use different but partially ove
60 environment rhythmically, while others, like audition, are faced with mostly rhythmic inputs.
61 arly in embryonic development, maturation of audition around the time of hatching suggested that syna
62 s, it is imperative that any role of Cx30 in audition be clearly evaluated.
63     Recalibration transferred from vision to audition, but not from audition to vision.
64 euronal information processing in vision and audition, but the principle of SAT is still debated in o
65 pathway enables selection between vision and audition by primarily suppressing the distracting modali
66 ew hypothesis that crossmodal calibration of audition by vision depends on the severity of visual los
67              Attention shifts from vision to audition caused increased activity in auditory cortex an
68 , most importantly, the speed of response of audition compared with other senses means that we have n
69 a preference for sensory modality, vision or audition, defines four discrete LFC regions.
70 ut to a striatothalamic pathway important to audition-dependent vocal plasticity, and changes in spin
71  neurons innervating a pathway essential for audition-dependent vocal plasticity.
72                                              Audition, detection of airflow, and graviception are com
73 omplex sounds is a crucial function of human audition, especially in music and speech processing.
74                                 The sense of audition exists to measure sound and infer its causes in
75 ral regulatory lineage being under stringent audition for interaction with MHC class II/self-peptide.
76 vision, wavelength translates into color; in audition, frequency translates into pitch.
77 trongly consistent across countries (sight > audition > touch > smell > taste), suggesting a largely
78 ity with limited temporal sensitivity, while audition has developed complementary characteristics.
79 udied in vision, the analogous phenomenon in audition has yet to be systematically explored.
80                                PE studies in audition have capitalized on low-frequency event-related
81 lies skeletal and smooth muscle contraction, audition, hormone secretion and neurotransmitter release
82                                           In audition, however, such an effect seemed to be absent.
83                                 The study of audition in fossil hominins is of great interest given i
84  because noise may interfere with the use of audition in multimodal prey detection.
85                                              Audition in the silver perch is comparable to that in th
86                                   Vertebrate audition is a dynamic process, capable of exhibiting bot
87                                      Because audition is referenced to the head and vision is referen
88  existence of motion-sensitive mechanisms in audition is still open to debate.
89                                              Audition is thus indirectly but intimately shaped by the
90 n leading produce bigger recalibrations than audition leading.
91              For instance, loss of vision or audition leads to the brain areas normally associated wi
92 nal magnetic resonance imaging (fMRI) during audition of short sentences.
93 t inactivation (CDI), potentially permitting audition of sustained sounds.
94 g in a variety of systems, including vision, audition, olfaction, taste and electric sense.
95 nducted, the direct influence of compromised audition on the auditory cortex and the potential impact
96 t would be predicted by their performance in audition-only and vision-only conditions.
97  administered to 3 groups of participants in audition-only, vision-only, and auditory-visual conditio
98 es have shown that manipulating frequency in audition or touch can have a significant cross-sensory i
99 estigated a single modality at a time (e.g., audition or vision).
100  task domains, such as language, vision, and audition, our analysis may help explain the ubiquity, fl
101  recently surged in the neural mechanisms of audition, particularly with regard to functional imaging
102 regulation, neural development and function, audition, regulation of blood pressure, and renal functi
103 entation are shared across the senses beyond audition remains unknown.
104  indicate that monkeys perform serial DMS in audition remarkably poorly and that whatever success the
105                                   Vision and audition separately may affect the ability to extract or
106  resources that are shared across vision and audition.SIGNIFICANCE STATEMENT This work resolves a lon
107                     In studies of vision and audition, stimuli can be chosen to span the visible or a
108 vant modality-they fully combined vision and audition such that they perceived equal numbers of flash
109         Our results hold for both vision and audition, suggesting independence of the representation
110 er, for example the bias of visual timing by audition: temporal ventriloquism.
111 rmation because temporal acuity is better in audition than vision.
112 nimal models for understanding human spatial audition, the effects of behavioural demands on neural s
113 t- and time-dependent modulation of mosquito audition, the mechanisms of which are largely unknown.
114 promise of deep neural networks as models of audition, though they also indicate that current models
115 athway supports integration of olfaction and audition to facilitate maternal care and speculate that
116                        Echolocating bats use audition to guide much of their behavior.
117                Diverse sensory systems, from audition to thermosensation, feature a separation of inp
118 ferred from vision to audition, but not from audition to vision.
119 m multiple sensory sources (e.g., vision and audition) to maximize an organism's ability to identify
120 thm, includes all motor and sensory (vision, audition, touch and interoception, olfaction) regions, b
121 m of tasks and sensory modalities, including audition, touch, language, and memory.
122 ce a common color percept termed "white." In audition, two mixtures, each containing an independent s
123  Therefore, standard steady-state studies in audition, using sinusoidal AM, may not be sensitive to a
124 n derives almost exclusively from studies of audition, vision and somatosensation.
125          In several sensory systems, such as audition, vision, and somatosensation, topographic maps
126  thoroughly explored in interactions between audition, vision, and touch may also explain the combina
127 ttention across the various modalities (i.e. audition, vision, touch and proprioception).
128 f the antenna 150 years ago, speculated that audition was involved with mating behaviour.
129 pervised neural network models of vision and audition were often completely unrecognizable to humans
130 y modalities, is particularly challenging in audition, where sounds from various sources and localiza
131 hesized that effects of oscillatory phase in audition will be restored if auditory events are made ta

 
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