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1 Indian dance, or "novices" who never watched dance.
2 performances: ballet, Indian dance, and non-dance.
3 r MEPs were in the arms when watching Indian dance.
4 unteract the positive feedback of the waggle dance.
5 cing synchronized movements resembling human dance.
6 empirical evidence for phylogenies of human dance.
7 coding and evaluating the information in the dance.
8 n, illuminating the steps of this regulatory dance.
9 ating fast and slow movements of the foxtrot dance.
10 ienced, in this case contemporary performing dance.
11 extends the applicability of wave physics to dance.
12 ic and artistic perspective when viewing the dance.
13 Social life is a complex dance.
14 encing of the different types of movement in dance.
15 sual arts, reading and creative writing, and dance.
16 an ensembles, e.g. pedestrian walking, group dance.
17 eals a surprising link between imitation and dance.
18 re parsimonious account for the evolution of dance.
19 information to food sources in their waggle dances.
20 syrup feeders than do colonies with oriented dances.
21 We examined how hive mates interpret these dances.
22 timulus, as in music-induced foot tapping or dancing.
23 by a move similar to a "do-si-do" in square dancing.
24 ned bodily response, such as toe tapping, or dancing.
25 activities, such as walking for exercise and dancing.
26 or attacks upon foragers and inhibits waggle dancing.
27 and were more effective at inhibiting waggle dancing.
29 osophila Aggression and Courtship Evaluator (DANCE), a low-cost, open-source platform that combines m
30 Here we report that fibulin-5 (also known as DANCE), a recently discovered integrin ligand, is an ess
32 g positive associations between symmetry and dancing ability, and these associations were stronger in
37 urrent study examined pairs of friends while dancing after intranasal administration of OT or placebo
39 integration could be adapted to decoding the dance and acquiring the signaled information as a flight
40 the role of auditory and musical features in dance and exercise, and have implications for the design
43 with a universal psychological capacity for dance and infant-directed song, they indicate a critical
44 " song is usually accompanied by a courtship dance and is addressed almost exclusively to females.
45 "Undirected" song is not accompanied by the dance and is produced when the male is in the presence o
46 ing research has demonstrated that long-term dance and music training can induce structural changes i
47 rewarding food source or beginning to waggle dance and recruit nestmates to food, honeybees have incr
48 ion also plays a central role in learning to dance and the acquisition of the long sequences of chore
49 ause the hand is specifically used in Indian dance and the arm is frequently engaged in ballet dance
52 t bees spent subsequently feeding and waggle dancing and decreasing their stop signaling and time spe
53 gnal, the stop signal, which counters waggle dancing and is triggered by negative events at the food
54 Unlike SS forager, SS nest were targeted at dancing and non-dancing foragers and had the common effe
56 ipating in leisure activities such as square dancing and promoting age-friendly environments in China
57 ommunication that was known to reduce waggle dancing and recruitment but lacked a clear natural trigg
59 on using a symbolic 'language' (the honeybee dance) and the rapid spread of chemosensory preferences
61 , bridge, physics, sports, typing, juggling, dance, and music reveal maximal adaptations of experts t
63 oducing waggle dances, causing them to cease dancing, and each scout targets scouts' reporting sites
64 nchronized human behavior, such as chanting, dancing, and singing, are cultural universals with funct
68 ugs, immodest clothing, and unruly music and dance are condemned as stimulating short-term impulses,
69 versely, during reactivation to known sites, dances are relatively less important, as foragers are pr
72 Bees without the opportunity to follow any dances before they first danced produced significantly m
73 m behavioral and neurobiological research on dance behavior in humans and rhythmic behavior in other
74 neurovascular coupling involves an elaborate dance between axon terminals, presynaptic and postsynapt
75 ate this response, resulting in an intricate dance between hosts and their pathogens to achieve an op
77 ided insight into an amazingly choreographed dance between the proteins in the kinetochore and their
78 oding the molecular basis of the underground dance between trees and their favorite fungal partners.
82 rience has on motor simulation when watching dance, by measuring changes in corticospinal excitabilit
84 top signals to other scouts producing waggle dances, causing them to cease dancing, and each scout ta
95 e) to evaluate the relative contributions of dance communication and hive-based olfactory information
96 tion in dance communication, (b) the role of dance communication in regulating the recruitment of wor
97 ee (Apis mellifera) colonies, where both the dance communication system and robust scent-based mechan
99 information networks, the contexts in which dance communication truly matters amid a complex system
100 ing the processing of spatial information in dance communication, (b) the role of dance communication
101 vide a broad synthesis of recent research on dance communication, concentrating on the areas that are
103 ee dance language, in which foragers perform dances containing information about the distance and dir
107 a engage in a stereotyped "dance," that this dance culminates in proper spindle positioning and orien
108 how an unexpected morphological disparity in dancing damselfly leg structure, and shed new light on m
109 roduces the fifth heteroatom that slows this dance, delays reaching the thermodynamically favorable e
111 aluation of Indian and Western paintings and dance depicting both abstract and representational conte
112 ide, resulted in an efficient tandem halogen-dance dimerization process which afforded 7,7'-bis(((die
113 ved 357 intentional, rhythmic, and nonverbal dance displays performed by four adult female cao vit gi
114 ,)(5-9) We report that during their song and dance displays,(10) male superb lyrebirds (Menura novaeh
121 sequences of Iranian social dance gestures, danced five-times each with different emotional expressi
122 A newly described species of empidid or 'dance fly' shows a bizarre polymorphism in their foreleg
125 er, SS nest were targeted at dancing and non-dancing foragers and had the common effect, tuned to hor
126 itherto, these factors helped explain why no dance forms were present amongst nonhuman primates.
130 erns over two years by decoding 5,484 waggle dances from bees located in the center of a mixed, urban
131 uit unemployed hive mates to food sources by dances from which a human observer can read the distance
133 sted of 6-s-long sequences of Iranian social dance gestures, danced five-times each with different em
134 ributed independently to high-quality female dance: greater hip swing, more asymmetric movements of t
135 M), iterative DoM sequences, and DoM-halogen dance (HalD) synthetic strategies and has been transform
140 oth for music production and for coordinated dance, has been repeatedly highlighted as uniquely human
141 gs of rhythmic behavior, including music and dance, have been studied using the synchronization-conti
144 as independently associated with attending a dance in the building (MOR, 7.5; 95% CI, 1.4-41.2), hand
149 er the two agents interacted (by fighting or dancing) in a meaningful synchronized fashion that allow
151 ource, can decrease head dopamine levels and dancing, independent of the dancer having any negative e
154 essful recruits to novel locations rely upon dance information rather than olfactory cues that could
157 he dancer, involving a team of orthopedists, dance instructors, and physical therapists familiar with
160 an score on a 5-point scale was 3.32 for the dance intervention group and 3.75 for the control group.
164 evidence that the aesthetic appreciation of dance involves a common experience between dance spectat
175 ogists have taken up the question of whether dance is reliant on unique human adaptations, or whether
176 ng and interaction' hypothesis suggests that dance is scaffolded off of broadly conserved timing mech
180 at (e.g., via head bobbing, foot tapping, or dance) is a human universal [1] yet is not commonly obse
182 onized behavior (chanting, singing, praying, dancing) is found in all human cultures and is central t
183 ation that encodes food location, the waggle dance, is therefore matched with an inhibitory/alarm sig
184 Here we show that colonies with disoriented dances (lacking direction information) recruit less effe
185 to entrainment and social features of human dance, Laland and colleagues [2] have suggested that dan
188 fying the condition-dependent payoffs of the dance language provides new insight into its function in
190 in the environment, (c) the evolution of the dance language, and (d) the adaptive fine-tuning of the
192 an endogenously-effected case of ritualized dance-like behaviour between two captive chimpanzees - s
195 aland and colleagues [2] have suggested that dance may be an incidental byproduct of adaptations supp
196 ese and other lines of evidence suggest that dancing may only be possible for humans because its perf
197 ctors, and physical therapists familiar with dance mechanics, has been developed to facilitate recogn
200 driven by foragers of the high-LI phenotype dancing more intensely and attracting more followers.
201 timuli (in the form of videos) that isolated dance movements from all other aspects of visual appeara
203 rwent fMRI scanning while viewing whole-body dance movements that varied in terms of their familiarit
205 ing structural similarities (e.g., different dancing movements, or different sword techniques), new t
206 of low frequencies, especially in electronic dance music(5), possibly reflecting effects on physiolog
207 xpert and matched non-expert participants in dance, music, visual arts, and video games, along with a
210 edict changes in time spent sedentary in the dance nor stretch and tone conditions, but baseline time
213 ce free energy, is a version of the "camphor dance" observed on liquid surfaces, and should be a gene
216 tasks consists of an intricately coordinated dance of cognitive, perceptual, and motor activities.
217 on mechanisms to explain why such a complex dance of different organelles is required to facilitate
218 dimensional silica glass-revealing a complex dance of elastic and plastic deformations, phase transit
222 ages extend and retract dendritic processes, dancing on the spot with little net movement while YFP m
224 d 2020, we here report no evidence of either dance or infant-directed song among the Northern Ache of
227 n a shared artistic experience (for example, dance or painting), for reducing depression and anxiety
230 vement and feelings, such as when people are dancing or engaged in physical activity, are well-docume
231 the music, either through movement (such as dancing) or through reverie (such as trance), it is usua
235 Use of illicit drugs in clubs and large dance parties (so-called raves) is a burgeoning cultural
237 xperimental setting, we used three live solo dance performances: ballet, Indian dance, and non-dance.
239 ly increase their foraging frequency, waggle dancing probability and frequency, and persistency and s
240 unity to follow any dances before they first danced produced significantly more disordered dances wit
245 clips of 39 resultant avatars were rated for dance quality, and those ratings were compared to quanti
252 er away from tensions of the day to singing, dancing, religious ceremonies, and enthralling stories,
254 dence problem central to imitation research, dance requires mapping across sensory modalities and the
255 complex behavior, such as speech, music, or dance, requires us to coordinate our actions with extern
256 properly accomplish this elegant chromosome dance result in aneuploidy, a major cause of miscarriage
257 ding humans, but nothing is known about what dance reveals about the underlying phenotypic--or genoty
261 nt beliefs), aesthetics (e.g., heroic tales, dance songs), and social institutions (e.g., justice, co
262 ler-scale societies inferred the contexts of dance songs, lullabies, and healing songs, but not love
267 ntervention (with three conditions: walking, dance, stretching), we aimed to use baseline neuroimagin
269 in promoting interpersonal synchrony during dance, suggesting that OT underlies the kinesthetic dime
273 indles in epithelia engage in a stereotyped "dance," that this dance culminates in proper spindle pos
274 n any sensory experience: the movements of a dance, the rhythm of a piece of music, the words of a sp
275 such as termite-mound building or honey bee dancing, the changing face of human cooperation makes it
276 on two significant aspects of this delicate dance: the host's initial innate response and the mature
278 of physical activities were considered, from dance to aerobic exercise across 92 studies in 5-12-year
284 d we observed how they oriented their waggle dances to indicate their direction of flight relative to
286 es, and they use a social signal, the waggle dance, to recruit nestmates to these floral rewards.
287 m cell movement, the bacterial equivalent of dancing toward an exit in a very dense crowd of moving b
288 findings suggest that long-term specialized dance training can improve the central nervous system's
289 isch concluded that bees 'recruited' by this dance used the information encoded in it to guide them d
292 rts-based interventions (for example, music, dance, visual art and drama) are gaining attention as co
295 oard games, playing musical instruments, and dancing were associated with a reduced risk of dementia.
297 anced produced significantly more disordered dances with larger waggle angle divergence errors and en
300 n ethylene 2-carbon bridge, a unique halogen dance-Zweifel sequence to access a trisubstituted furan,