ライフサイエンスコーパス: in pitch

1 ating concurrent sounds based on differences in pitch.

2 ctions of T2(IRN) that exhibit rapid changes in pitch.

3 tch, and at the level of perceiving patterns in pitch.

4 in, these two states have a large difference in pitch.

5 pants indicated which paired tone was higher in pitch.

6 either as an ascending or a descending step in pitch.

7 uced wookies as they were randomly modulated in pitch, adjusting his voice frequency up or down when

8 posterior temporal and temporoparietal areas in pitch amusia.

9 ropogenic sounds that are markedly different in pitch and amplitude than sounds in most natural habit

10 erns of surprise and uncertainty, especially in pitch and pitch-rhythm sequences, revealing era-speci

11 enantiomers) lead to substantial differences in pitch and polarized reflection during cycles of illum

12 vestigate the role of the left and right SMG in pitch and rhythm memory in non-musicians.

13 terms of contour patterns of rises and falls in pitch and the actual pitches at each point in time.

14 , Bouligand films with controlled variations in pitch and thicknesses are generated.

15 The results therefore show that variations in pitch and timbre are represented by overlapping neura

16 This study tested whether variations in pitch and timbre elicit activity in distinct regions

17 While variations in pitch and timbre may negatively affect CI users' spee

18 We synthesized pairs of voices that changed in pitch and timbre over random, intertwined trajectorie

19 eard two sentences spoken that differed only in pitch and/or duration cues and selected the best matc

20 ications within the anterior band of the UCL in pitching and nonpitching arms was compared by using t

21 level of detecting fine-grained differences in pitch, and at the level of perceiving patterns in pit

22 of male and female voices that differed only in pitch, and were asked which of each pair they would v

23 ker-Planck simulations of electron diffusion in pitch angle and energy to show that scaling up chorus

24 lities-their ability to tell two tones close in pitch apart.

25 anterior band of the UCL was 6.3 mm +/- 1.1 in pitching arms and 5.3 mm +/- 1.0 in nonpitching arms.

26 In pitching arms, this band is thicker, is more likely t

27 A difference in pitch between simultaneous HCTs provides a powerful c

28 absolute pitch of notes, (ii) the difference in pitch between successive notes, and (iii) the statist

29 The just noticeable difference in pitch between two tones was measured in 15 healthy co

30 right STG induced "music arrest" and errors in pitch but did not affect language processing.

31 regate concurrent sounds, while similarities in pitch can help group sounds from a common source.

32 owever, it remains possible that impairments in pitch coding within auditory cortex also contribute t

33 e comparison tasks gave rise to improvements in pitch-contour perception.

34 Mild increases in pitch do not substantially degrade diagnostic accurac

35 ing the role of primary auditory cortex (A1) in pitch encoding.

36 flexibility within these structures, ranging in pitch from 50 Angstrom to 66 Angstrom, while twist va

37 part of auditory scene analysis; differences in pitch help segregate concurrent sounds, while similar

38 Changes in pitch influenced people's general emotional state as

39 ntly, listening to binary sounds alternating in pitch instead of duration did not yield group differe

40 In Pitch Lake, Trinidad and Tobago--the world's largest

41 naptic afferent terminals is greatly reduced in pitch mutants.

42 The bimodal distribution in pitch-naming ability signifies AP as a distinct perce

43 " In addition, we document a gradual decline in pitch-naming accuracy with age, characterized by a pe

44 f a rotaxane can be transduced into a change in pitch of a soft matter system.

45 rtical regions most responsive to variations in pitch or timbre at the univariate level of analysis w

46 her fundamental frequency (eliciting changes in pitch) or spectral centroid (eliciting changes in bri

47 in anteroposterior direction and 2.6 degrees in pitch orientation.

48 in superoinferior direction and 7.21 degrees in pitch orientation.

49 within complex tones are of prime importance in pitch perception and in the perceptual segregation of

50 on modes, adding to evidence for differences in pitch perception between tones with low-to-medium and

51 To test the role of harmonic structure in pitch perception for a nonhuman mammal, we measured b

52 es from the cortical regions most implicated in pitch perception in normal individuals.

53 findings suggest that the musician advantage in pitch perception in speech is retained to some extent

54 to determine whether the musician advantage in pitch perception in the language domain extends to in

55 upport the view that cross-species variation in pitch perception reflects the constraints of estimati

56 organization of cortical regions implicated in pitch perception.

57 However, an increase in pitch (produced by a change in fundamental frequency)

58 ads to a reduction in connectivity resulting in pitch-related impairments.

59 underlying acoustic features, such as change in pitch, required for auditory emotion recognition.

60 When both targets and distractors varied in pitch, the degree of variation among the distractors

61 icity improvement, operationalized as change in pitch threshold between AudRem tones [(test tone Hz -

62 ) listened to pairs of tone triplets varying in pitch, timbre, or both and judged which tone triplet

63 amework, we found that structural violations in pitch-time interactions impact musical expectation pr

64 well-documented capacity of dynamic changes in pitch to elicit impressions of motion along the verti

65 at assess the assignment of sounds differing in pitch to one or two distinct perceptual sources.

66 These filaments had a distinct change in pitch when ParA2 was polymerized in the presence of A