ライフサイエンスコーパス: paint

1 how biogenic iron oxides were prepared into paint.

2 in proximity are distributed randomly in the paint.

3 e) dispersed in linseed oil to create an oil paint.

4 particulate pollution from ship antifouling paint.

5 ghts for understanding soap formation in oil paint.

6 in the second case from PCB-containing wall paint.

7 removed, or unilaterally occluded with black paint.

8 he super-resolution microscopy technique DNA-PAINT.

9 n using the super-resolution approach of DNA-PAINT.

10 ely more abundant in the non-water-sensitive paint.

11 incineration, leaded gasoline, and crumbling paint.

12 g of zinc white degradation processes in oil paint.

13 usually found in modern and contemporary art paints.

14 and is a foundation for optical coatings and paints.

15 for the production of lubricants, nylon, and paints.

16 cleotide-based haplotype-specific chromosome painting.

17 particular, at the (top) surface of the copy painting.

18 radiotherapy personalization, including dose painting.

19 a technique that we named as cavitation dose painting.

20 low the model to accommodate photography and painting.

21 ra at each pixel in the image for the entire painting.

22 BI using a newly developed technique, vessel painting.

23 ting can be used as a proxy for the age of a painting.

24 paints as well as an actual 18th century oil painting.

25 ingle microscopic sample from a historic oil painting.

26 ced in female recipient mice by Y chromosome painting.

27 g paint samples collected from a Baroque oil painting.

28 tection of gum arabic in samples from a late painting (1949/1954) by Georges Braque in the collection

29 walls of the rock (calcium-rich macco) were painted ~2500 years ago and are covered with CaCO(3) nee

30 nish artist Diego Velazquez created a puzzle-painting 360 years ago that to this day remains unsolved

31 S. Environmental Protection Agency limit for paint (5000 ppm).

32 are displayed on chemical space diagrams to paint a clear picture of how CPV(24h) varies for chemica

33 The 14 principles paint a cohesive and unified picture of romantic relatio

34 The results paint a compelling picture of surfactant assembly at the

35 Overall, the findings paint a complex picture of how situational factors may i

36 Our results paint a comprehensive picture of features governing succ

37 Together, our results paint a detailed molecular picture of the retinal stress

38 These observations paint a dynamic picture of sex chromosome differentiatio

39 to account for forest degradation fires will paint a false picture of prior progress and potentially

40 In order to paint a more detailed and thus complete picture of survi

41 Our findings paint a nuanced picture of the role of agricultural prod

42 These findings paint a picture of evolution in the animal kingdom in wh

43 n and growth of quantum spin liquids, and to paint a picture of the beauty of the underlying chemistr

44 medical students had commissioned Eakins to paint a portrait of their revered professor, which was p

45 studies of protein folding have converged to paint a rich and complex energy landscape.

46 (e.g., the number of paint buckets needed to paint a room).

47 Experimental and computational studies have painted a picture of the chloride permeation pathway in

48 es to metacognitive decision-making, thereby painting a picture of metacognition as a process that in

49 entrations of >=500 pg m(-3) within hours of painting a room.

50 The NCDB paints a comprehensive picture of cancer care, including

51 Genomic analysis of barley paints a picture of diffuse origins of this crop, with d

52 Analysis of these mutants paints a picture of dNTP regulation in whole animals qui

53 igh-impact structural work that collectively paints a picture of STING signaling with atomic resoluti

54 ere we present proximity-dependent PAINT (PD-PAINT), a method for subdiffraction imaging of protein p

55 Like a common paint, a hydrogel paint divides the labor between the pa

56 These studies paint AD as a systemic disease in broad strokes, which m

57 de Heem (1606-1684) and one copy painting after De Heem by an unknown artist.

58 and are used in the production of polymers, paints, agrochemicals and pharmaceuticals.

59 e nature and distribution of Zn soaps in the painting Alchemy by J.

60 These paints allow identification of individual homologous chr

61 posed protocol was successfully applied on a painted altarpiece "Assumption of the Virgin" dated to t

62 ation differs substantially from rodents and paint an intriguing comparative picture regarding the ne

63 We conducted comparative chromosome painting analysis in six different Citrus and related sp

64 n the oil binding medium migrate through the paint and react with pigments containing heavy metals to

65 nostructures and tubulin in cells, using DNA-PAINT and STORM imaging.

66 ses of egg components for the realization of painted and gilded areas, i.e. yolk and albumen, respect

67 in the paint layers of an early 16th-century painted and glazed terracotta sculpture by Giovanni dell

68 black substance applied to the surface of a painted and plastered coffin fragment.

69 placing a highly reflective tube between the painting and camera and introducing a low temperature so

70 e production technology of an 1,800-year-old painting and one of the oldest surviving encaustic ("bur

71 ts cannot be compared to the masterpieces of painting and sculpture of the macroscopic world, but the

72 ibes were analyzed by comparative chromosome painting and/or whole-transcriptome analysis of gene age

73 NC coating and film barrier capabilities for paints and coating applications, sustainable consumer pa

74 to three ENMs (TiO2, SiO2 and FeOx) used in paints and coatings through seven product applications,

75 ions and therefore fabricate next-generation paints and coatings.

76 nce studies can probe surface defects in CdS paints and lead to an improved understanding of their co

77 PCBs and PCDD/Fs on site (soil, forage, and paint) and in cattle (blood, fat, and milk) allowed vali

78 ts accumulation in nanoscale topography (DNA-PAINT), and the specificity of locked nucleic acid (LNA)

79 lder from canned food, regulating lead-based paint, and especially eliminating Pb additives in gasoli

80 zes DNA binding events in real time with DNA-PAINT, and upon visualization of binding to a desired lo

81 nzene, gasoline, motor vehicle-related jobs, painting, and rubber solvents.

82 rces such as acid mine drainage, antifouling paints, and industrial waste discharge is a major threat

83 r-based materials, such as foods, waterborne paints, and organ transplants.

84 n addition to its use in plastics, textiles, paints, and pesticides.

85 , we have developed two different chromosome-painting approaches to address how chromosome territorie

86 riment to address this question would be to "paint" arbitrary synthetic signaling patterns on "blank

87 emonstrate how residues predicted by protein painting are present exclusively in the complex interfac

88 remote reflectance spectral imaging of large painted areas in high resolution, from distances of tens

89 f crystalline (pigment) phases in quasi-flat-painted artifacts.

90 scopic sample from a series of reference oil paints as well as an actual 18th century oil painting.

91 lm preservatives in polymer-resin render and paint, as well as wood preservatives are used to protect

92 cDNA constructs, via a microscopy-based Cell Painting assay.

93 llular morphology via an imaging-based "cell painting" assay.

94 Paints based on cadmium sulfide (CdS) were popular among

95 Biologically conformal radiotherapy (dose painting) based on molecular imaging-assessed tumor hete

96 ing spectrometer, which allowed pigments and paint binders to be identified and mapped.

97 ignificantly attained regardless of the used painting binders.

98 sing either the test painting or the mock-up painting both measured with a table-top micro-XRF setup.

99 ed continuous variables (e.g., the number of paint buckets needed to paint a room).

100 task is counting objects (e.g., a number of paint buckets) or estimating discretized continuous vari

101 he ancient Silk Road, consists of 492 richly painted Buddhist cave temples dating from the fourth to

102 The painted bug, Bagrada hilaris, native to eastern and sout

103 The paint maker formulates the hydrogel paint by copolymerizing monomer units and coupling agent

104 We demonstrated these capabilities of sRNA-PAINT by detecting and quantifying small RNAs in differe

105 cal cross section from an early 20th century painting by Piet Mondrian.

106 The analysis of oil paints by high resolution MS without an extraction metho

107 e earliest possible date of realization of a painting, called the terminus post quem, is based on the

108 We show that PD-PAINT can be straightforwardly integrated in a multiplex

109 85 ng g(-1), PCB emissions from colorants in paint can cause environmentally relevant concentrations

110 KEY POINTS: Just as a portrait painting can come from a collection of coarse and fine d

111 rying the date of 1866: a canvas fiber and a paint chip (<200 ug), each delivering a different radioc

112 s for a wide range of decorated wares (e.g., painted Cienaga); (iii) selective circulation of two dis

113 Finally, the hand-painted CNT/AgNPs electrodes were applied to detect carc

114 The rate of PCB emissions from paint colorants is a function of the surface/air equilib

115 nce emission from trap states of the two CdS paints, complemented by data from multispectral imaging,

116 y aims to establish a relationship among the paints' compositions, the 3D morphological properties an

117 Oil paints comprise pigments, drying oils, and additives tha

118 PCBs have the potential to be emitted from paint containing these pigments.

119 Latex paints containing copper-glass ceramic powder exhibit >=

120 Oil paints containing zinc white are known to be prone to th

121 les required for application as colorants in paints, cosmetics, textiles, or displays.

122 tivity of CdS particles and their subsequent paint degradation.

123 t that microfissures, the starting points of paint delamination, are the result of an overall expansi

124 application in functional colloidal inks and paints, displays and sensors.

125 Like a common paint, a hydrogel paint divides the labor between the paint maker and the

126 unneling down to 10 K, indicating the carbon paint does not add spurious thermally activated componen

127 faces included porous/permeable (vinyl tile, painted drywall, and wood) and largely nonporous/imperme

128 -L1 interface regions identified via protein painting effectively disrupted complex formation, with t

129 hed prerequisites for comparative chromosome painting enable future studies on the chromosome homoeol

130 NA-binding protein (FP-DBP) that completely 'paints' entire DNA molecules, whereby sequence-independe

131 Collectively termed DNA-PAINT-ERS (E = EC, R = Repeating sequence, and S = Space

132 demonstrate the general applicability of DNA-PAINT-ERS for fast, multiplexed superresolution imaging

133 the exact identification of the SOPs in the paints even if pigments of similar structures are measur

134 The two paints exhibit trap state emissions that differ in terms

135 lved live-to-fixed and multiplexed STORM/DNA-PAINT experiments.

136 ion for imaging in nanoscale topography (DNA-PAINT) facilitates multiplexing in superresolution micro

137 ization of a novel dye probe used in protein painting, Fast Blue B + naphthionic acid, and show that

138 rmation on the chemical heterogeneity in the paint film.

139 antitatively describe their transport in the paint films.

140 ltiplexed super-resolution imaging (Exchange-PAINT) followed by mean-shift clustering and random fore

141 ding qPAINT for quantification, and Exchange-PAINT for multiplexing.

142 make it necessary to model the spatial dose painting for specific neuronal components.

143 ht into the fire-induced effects on selected paints for the first time.

144 We created a method, sRNA-PAINT, for the detection of small RNAs with 20 nm resolu

145 Some paint formulations are prone to degrade, discoloring and

146 ent action to avoid and mitigate plastic and paint fragment inputs to the Southern Ocean.

147 Paint fragments were present at all sampling stations an

148 new method was tested on peeling a layer of paint from a PTFE backing and was found to be sensitive

149 issues by hybridizing flow sorted chromosome paints from Varanus komodoensis to metaphases of nine sp

150 ogenic), and nontraditional emissions (e.g., paint fumes).

151 erial artificial chromosome-based chromosome painting, genomic in situ hybridization, and multi-gene

152 HDM was applied epicutaneously by painting HDM on unmanipulated ear skin or under an occlu

153 d on their increasing use in wood treatment, paints, household products, coatings, and byproducts of

154 Super-resolution PAINT imaging of the same targets is performed using low

155 ining the approach with multiplexed exchange-PAINT imaging, we further demonstrated an optical nanodi

156 n pollutant, due to deteriorating lead-based paint in houses built before 1978.

157 echnique to characterize microsamples from a painting, in conjunction with analyses by gas chromatogr

158 tchable Pdots as the 'paint', we select and 'paint' individual Pdot-labelled adherent cells by turnin

159 emission in the now-brownish cadmium yellow paint is linked to the presence of CdS particles with a

160 the most widely used biocide in antifouling paints, is at the brink of a total ban in being used in

161 wtail (Papilio xuthus, Papilionidae) and the painted lady (Vanessa cardui, Nymphalidae) butterflies h

162 gy based on in situ dual-enzyme digestion of paint layer proteinaceous binders is introduced for fast

163 l for the characterization of paintings with paint-layer thicknesses smaller than 50 mum.

164 at the characteristic X-rays from the deeper paint layers are absorbed in the covering layers.

165 , opening the possibility to date individual paint layers in artworks.

166 Materials in the paint layers of an early 16th-century painted and glazed

167 Paint layers of egg yolk adhesive (E) and lead white tem

168 to the degradation of selected proteinaceous paint layers that were exposed to fire-related effects (

169 e successive applications of preparatory and paint layers to a canvas or other support; however, ther

170 The molecular changes to the exposed paint layers were analysed by invasive and non-invasive

171 On the CH stack, the proteinaceous paint layers were exposed to fire effluents and high tem

172 lf but also the identification of the hidden paint layers what makes it much more versatile as compar

173 zed with graffiti or covered by superimposed painted layers or whitewash.

174 photocolorimetry analysis evidenced that the painting layers were not damaged or altered because of c

175 lete set of whole-chromosome oligonucleotide paints lays the foundation for future studies of the str

176 he layer structure of the 17th century easel painting Madonna in Preghiera by the workshop of Giovann

177 hydrogel paint divides the labor between the paint maker and the paint user.

178 The paint maker formulates the hydrogel paint by copolymeriz

179 't walk signs (OR, 0.16; 95% CI, 0.03-0.92), painted marked crosswalks (OR, 0.17; 95% CI, 0.04-0.63),

180 Reactive porous paint materials are composites in nature and widely used

181 sensitivity of each class of pigment in the painting matrix is therefore required to find analytical

182 portant insights into Braque's unusual mixed paint media that are also helpful to inform appropriate

183 athways; change visual style parameters; and paint metabolomics, gene expression, and reaction flux d

184 ulation for imaging in nanoscale topography (PAINT) method that exploits aptamers as minimally invasi

185 Our method utilizes advances in DNA-PAINT methodologies, including qPAINT for quantification

186 up of medulloblastoma with SUFU alterations, painting more nuanced roles for SUFU in tumorigenesis an

187 n of metal carboxylates in a 23-year old oil paint of known formulation.

188 corresponded to a pre-feed storage tank, the paints of which presented huge DL-PCB concentrations (>1

189 The paint user applies the paint on various materials (elastomer, plastic, glass, c

190 ed with increased uptake of protein antigens painted on the skin by dendritic cells (DCs) compared wi

191 A paint-on liquid bandage containing a new, click-synthesi

192 m variations in material properties, such as paint or stain.

193 thodology was verified using either the test painting or the mock-up painting both measured with a ta

194 Here we report an 'Action-PAINT' (PAINT, point accumulation for imaging in nanosca

195 es, and mobile sources (automobile exhaust); paints, paint products, and thinners; and secondary ciga

196 Ground bitumen was identified in several paint palettes, and in one case can be shown to have bee

197 Although paint particles were not included in plastic concentrati

198 searchers a graphical interface to draw and "paint" pathway diagrams with experimental data, producin

199 previous study that demonstrated high RBA of paint Pb added to soil.

200 or U.S. house dust contaminated in situ with paint Pb and corroborates results from a previous study

201 b RBA was up to 100% and is likely driven by paint Pb.

202 Here we present proximity-dependent PAINT (PD-PAINT), a method for subdiffraction imaging of

203 Animals underwent vessel painting perfusion to label the entire cortex at 1 day p

204 in humans showing that subjective values of painting pictures, as expressed in explicit pleasantness

205 samples, ongoing non-Aroclor sources such as paints/pigments (PCB 11) and coal/wood combustion showed

206 Here we report an 'Action-PAINT' (PAINT, point accumulation for imaging in nanoscale topog

207 rete molecular imaging is possible using DNA-PAINT (points accumulation for imaging in nanoscale topo

208 ounds, followed by polyamides, plastic-based paints, polyvinyl chloride, polystyrene and polyvinyl al

209 A painting possibly representing the flowers of Datura on

210 Here, we introduce Proximity-PAINT (pPAINT), a variation of the super-resolution micr

211 We found that each painting probe hybridized to only a single chromosome in

212 ve developed a complete set of 19 chromosome painting probes based on the reference genome of the mod

213 e developed oligonucleotide-based chromosome painting probes for all nine chromosomes in Citrus maxim

214 Whole-chromosome painting probes were developed for each of the 10 chromo

215 fluorescence in situ hybridization with the painting probes.

216 mobile sources (automobile exhaust); paints, paint products, and thinners; and secondary cigarette sm

217 paper establishes the reliability of carbon paint protective layers and provides a procedure for dis

218 dc and ac techniques, revealing that carbon paint protective layers provide a solution to three well

219 The protocol has been set up on paint replicas and successfully tested on two historical

220 ighly thermostable and long-lasting rock art paint represents a specialized technological innovation.

221 a was ingested in the cave and that the rock painting represents the plant itself, serving to codify

222 Chromosome painting revealed the distribution of transposable eleme

223 needles has been fabricated and affixed to a paint roller as an applicator system for real-world fiel

224 e thorough identification and mapping of the painting's constituent organic and inorganic materials,

225 de a global and detailed account of an easel painting's stratigraphy by exploiting the sparse deconvo

226 and possible mechanisms of the reactions, a paint sample cross-section from a 15th century oil paint

227 thermore verified on mixed carbonate-bearing paint samples collected from a Baroque oil painting.

228 rt and for correlating observations in model paint samples to those in the naturally aged samples, to

229 ffusely scattering layers such as stratified paint samples, enabling their nondestructive chemical ch

230 o those of methods routinely used to analyze paint samples.

231 participants, were enrolled from six Thangka painting schools.

232 tails such as wood carvings, tool marks, and paint slowly disintegrate due to microbial decay.

233 and found in colorants used to tint consumer paints sold in the United States and elsewhere.

234 phA4fl/fl/VeCahderin-CreERT2 mice and vessel painting strategies, implicated EphA4 receptor tyrosine

235 different Carnivora species using chromosome painting strategies.

236 erogeneous layers are often encountered with painted stratigraphies.

237 chemical distribution of Zn soaps within the paint stratigraphy before their effect becomes disruptiv

238 was applied for studying the complex lacquer paint stratigraphy.

239 es and then eventually grow within the whole painting stratigraphy as irregularly shaped particles.

240 ms with art while attending to the layout or painting style, and memory was subsequently tested.

241 with paintings, attending to room layouts or painting styles on different trials during high-resoluti

242 solved using up to twelve rounds of Exchange-PAINT super-resolution microscopy.

243 Cl), were encountered, both at and below the paint surface; they are considered to be degradation pro

244 that acts to preserve rather than damage the painted surface.

245 thalocyanine green, PG7) artists' oil colour paint swatches dating to 1993 and 2003.

246 Simple two-component paint systems were also prepared for testing purposes by

247 basic point collection approach on two-layer paint systems where different layers-top, bottom, or bot

248 In a virtual painting task, participants indicated which surface ridg

249 This PCI-based cavitation dose painting technique in combination with FUS-BBBD opens ne

250 In mouse models, using an ex vivo tumor painting technique, we show that DDAO arachidonate activ

251 in prion formation was examined using a cell painting technique.

252 ion for imaging in nanoscale topography (DNA-PAINT) technique to map piconewton mechanical events wit

253 story of the transfer of Vietnamese lacquer painting techniques to Europe.

254 titanium dioxide nanoparticles that forms a paint that can be sprayed, dipped, or extruded onto both

255 an acrylic material, results in a nanosensor paint that enables the detection of microalbuminuria in

256 f surface defects in the now-brownish yellow paint that promotes the surface reactivity of CdS partic

257 Commercial paints that contain the SOPs with identical C.I. numbers

258 a principle is described to create hydrogel paints that decouple polymerization from crosslinking an

259 Removing or painting the antennae did not affect daily activity rhyt

260 Painting the remarkable diversity of KChs onto the compl

261 indings suggest that SCD maps can spatially "paint" the delivered nanocluster concentration, a techni

262 that shellac was included on the top of the paint; they document an important step in the story of t

263 and imaging on highly heterogenous and rough paint thin sections.

264 Commercial adhesives were used to bond the paint to various substrates and promote robustness.

265 ed, allowing the IR radiation emitted by the painting to dominate.

266 We used comparative chromosome painting to identify the extent of chromosomal collinear

267 nducting polymer dots (Pdots) as an optical 'painting' tool, which enables the selection of certain a

268 In the now-brownish yellow paint, trap state emission is highly favored with respec

269 lifying agent commonly added in 20th century paint tube formulations, proved decisive for the formati

270 lakes are consistent with the composition of paint tubes known to have been used by van Gogh.

271 arning plays a role in the navigation of the painted turtle (Chrysemys picta) within a model of envir

272 ility in the trans-continentally distributed painted turtle (Chrysemys picta).

273 n and survival decline with adult age in the painted turtle, Chrysemys picta, based on data spanning

274 re we use novel experiments exposing eggs of Painted Turtles (Chrysemys picta) to replicated profiles

275 snakes, anole lizards, snapping turtles, and painted turtles.

276 cial chromosome-based comparative chromosome painting uncovered a constancy of genome structures amon

277 ht from regions touched by human fingers (or painted upon using a mixture of oil and water), and a se

278 Especially polymer-resin-based renders and paints, used in external thermal insulation composite sy

279 The paint user applies the paint on various materials (elast

280 es the labor between the paint maker and the paint user.

281 ation of a yellow lake pigment in a historic painting using SERS as well as the utility of our treatm

282 Hand painting was employed to fabricate a silver conductive l

283 sample cross-section from a 15th century oil painting was examined by synchrotron X-ray techniques.

284 b (hydroxy)carbonate (indicative of Pb-based paint) was the major Pb species present in house dusts.

285 brush' and the photoswitchable Pdots as the 'paint', we select and 'paint' individual Pdot-labelled a

286 ylogenomic analyses and in silico chromosome painting, we show that each oak strain is more closely r

287 of ZnSt2 expanding toward the support of the painting were observed and interpreted as the early stag

288 eport a new protective layer based on carbon paint which is highly conductive and has metallic-like b

289 sign and execution of experiments using Cell Painting, which is a morphological profiling assay that

290 Portraits of science influencers were painted while dialogue between artist and subject was fi

291 Finally, a XVIII century italian painting whose the realization technique is unknown, was

292 n utilized to help manufacturers make better paint with less cost.

293 at combine DNA oligonucleotides (oligos) for PAINT with LNA-containing oligos for hybridization; ther

294 Seurat's masterpiece La Grande Jatte, painted with many thousand dots of color, came as a shot

295 nomic in situ hybridization (GISH) allowed B painting with the parental DNAs.

296 In the present study, model oil paints with lead white (2PbCO(3).Pb(OH)(2)) and zinc whi

297 e severe degradation phenomena affecting oil paints with zinc oxide, one of the most common white pig

298 e basis of recent work demonstrating how to 'paint' with bacteria, is forbidden in thermal equilibriu

299 ion for imaging in nanoscale topography (DNA-PAINT) with spinning disk confocal (SDC) hardware to ove

300 es can be easily integrated into current DNA-PAINT workflows for both accelerated imaging speed and i