ライフサイエンスコーパス: pitch

1 te of tissue vibration in the sound source ("pitch").

2 around a mediolaterally-oriented axis (i.e., pitch).

3 d with different auditory tones (high or low pitch).

4 tion between electrodes as a function of the pitch.

5 a principal axis of rotation: yaw, roll, and pitch.

6 cal membrane surfaces of different radii and pitch.

7 number of tones in the pre-specified, target pitch.

8 vowels and to dynamic cues for intonational pitch.

9 the complex perceptual structure of musical pitch.

10 r-normalized relative pitch but not absolute pitch.

11 nt structure and the macroscopic cholesteric pitch.

12 o and focus on two muscles controlling sound pitch.

13 rm, with each motor representing a different pitch.

14 hell thickness and p the cholesteric helical pitch.

15 ically arranged, internal representations of pitch.

16 hat result in superior time encoding for low pitches.

17 l conductivities for nanomeshes with smaller pitches.

18 m is often carried by instruments with lower pitches.

19 s with balanced harmonic-to-noise ratios and pitches.

20 lices with programmed handedness and helical pitches.

21 are for landing with leg adjustments or body pitching.

22 focused filter state, which is at the higher pitch (1-2 kHz) and formed by merging two formants, ther

23 h variation of geometric parameters, such as pitch (10-50 mum), pillar diameter (5-40 mum), and heigh

24 -time signal processor briefly perturbed the pitch (100 cents, 400 ms) of their auditory feedback.

25 less than the level expected from the pixel pitch (20/420).

26 ials, including the crafting of a two-minute pitch - a valuable skill for all scientists.

27 talk?" The chalk talk is many things-a sales pitch, a teaching demonstration, a barrage of questions,

28 he simple expedient of modifying the helical pitch adjacent to the catalytic center.

29 via 12 motors that are arranged in ascending pitch along the forearm, with each motor representing a

30 gic agonist carbachol into HVC increased the pitch, amplitude, tempo and stereotypy of song, similar

31 rs were engaged in a task requiring explicit pitch analysis.

32 elicity remained right-handed with a 1.3 mum pitch and 0.14 mum helix radius, which is consistent wit

33 ic sound is a combination of the fundamental pitch and a focused filter state, which is at the higher

34 ge shifts in learned vocal features, such as pitch and amplitude, without grossly disrupting the song

35 se that human auditory cortex (AC) processes pitch and consonance through a common neural network mec

36 The SPs have smaller mode pitch and different (often opposite) rotation velocity c

37 the world-contrast and luminance for vision, pitch and intensity for sound-and assemble a stimulus se

38 ry appears to determine reliance on f0-based pitch and may explain its importance in music, in which

39 stances in an acoustic space defined by mean pitch and mean amplitude, measured from the child's pers

40 oparticle single helices, varying in helical pitch and nanoparticle dimensions, that is assembled usi

41 he first time, distinct cortical encoding of pitch and note-onset expectations during naturalistic mu

42 The helical centerline pitch and radius of wild-type H. pylori cells dictate su

43 tigate the role of the left and right SMG in pitch and rhythm memory in non-musicians.

44 In each session participants completed a pitch and rhythm recognition memory task immediately aft

45 eech (IDS), a communicative code with unique pitch and rhythmic characteristics relative to adult-dir

46 Pitch and roll orientation tuning is anchored to gravity

47 acceleration and the rate of change of body pitch and roll, may enable researchers to refine movemen

48 so promotes interactions along both the long-pitch and short-pitch helices.

49 the stimuli.SIGNIFICANCE STATEMENT Although pitch and timbre are generally thought of as independent

50 Previous work indicates that pitch and timbre are processed in overlapping regions of

51 he results therefore show that variations in pitch and timbre are represented by overlapping neural n

52 SIGNIFICANCE STATEMENT: Pitch and timbre are two crucial aspects of auditory per

53 Pitch and timbre are two primary dimensions of auditory

54 Pitch and timbre are two primary features of auditory pe

55 eparability of the neural representations of pitch and timbre at the univariate level.

56 This study tested whether variations in pitch and timbre elicit activity in distinct regions of

57 While variations in pitch and timbre may negatively affect CI users' speech

58 lts confirm that the computations underlying pitch and timbre perception are subserved by strongly ov

59 This study shows that pitch and timbre variations are represented in overlappi

60 ris), using tone sequences that vary in both pitch and timbre.

61 fferences exist in the cues used to perceive pitch and whether these can be accounted for by differen

62 d two sentences spoken that differed only in pitch and/or duration cues and selected the best match f

63 -cultural presence of logarithmic scales for pitch, and biological constraints on the limits of pitch

64 ength, body angle, head roll, head yaw, head pitch, and path and speed of hand movements.

65 The similarities in screw sense, pitch, and polarity between peptide alpha-helices and ol

66 and aperiodic nanomeshes of the same average pitch, and reduced thermal conductivities for nanomeshes

67 lighting, words independently of volume and pitch, and smells independently of concentration.

68 brief sounds of rising, falling or constant pitches, and in the absence of visual information of the

69 ronization, and harmonization of rhythms and pitches, and summarize empirical evidence for these link

70 oughout the belts on the energy spectrum and pitch angle (angle between the velocity of a particle an

71 ity, instead relying on rapid changes in the pitch angle (wing rotation) at the end of each half-stro

72 Our results indicate that the helical pitch angle of MreB inversely correlates with the cell d

73 ng of the evolution of the electron flux and pitch angle show that electromagnetic ion cyclotron wave

74 humans, are strongly biased to use absolute pitch (AP) in melody recognition.

75 Absolute pitch (AP), the ability of some musicians to precisely i

76 ble encoding.SIGNIFICANCE STATEMENT Absolute pitch (AP), the ability of some musicians to precisely i

77 ies-their ability to tell two tones close in pitch apart.

78 ing (NH) adults, this linguistic pressure on pitch appears to sharpen its neural encoding and can lea

79 he acoustical properties of the voice (e.g., pitch) are very powerful cues when forming social impres

80 ults highlight the potential of chewed birch pitch as a source of ancient DNA.

81 nstructed parallel CNT arrays with a uniform pitch as small as 10.4 nanometers, at an angular deviati

82 al Hall effect and an incommensurate helical pitch as small as 2.8 nm in metallic Gd(3)Ru(4)Al(12), w

83 f normative phenomena in general - which are pitched as not totally empirical - and empirical account

84 ctures with sub-1 nm domains and full domain pitches as small as 1.2 nm.

85 ctral coding is sufficient to elicit complex pitch at high frequencies has important implications for

86 The lamellar pitch at the end of the second growth step was larger th

87 occurring in speech and music evoke a strong pitch at their fundamental frequency (F0), especially wh

88 rstood rotational mechanisms that occur when pitching at the end of each half-stroke.

89 Pitch-balanced helical elements of alternating handednes

90 stroma lamellae are connected by an array of pitch-balanced right- and left-handed helical membrane s

91 etic route to tune the color of In(2)O(3) to pitch black by controlling its degree of non-stoichiomet

92 Cochlear filtering and pitch both play key roles in our ability to parse the au

93 ght STG induced "music arrest" and errors in pitch but did not affect language processing.

94 the encoding of speaker-normalized relative pitch but not absolute pitch.

95 site order produced no change in the feature pitch but rather only linear feature extension.

96 and biological constraints on the limits of pitch, but indicate that octave equivalence may be cultu

97 Most remarkable, the pitch can be tuned through the composition of the copoly

98 ht, diameter, carbon isotope discrimination, pitch canker resistance), and molecular traits such as m

99 l field changes with experience to acquire a pitch change's meaning.

100 flippers to perform maneuvers such as rolls, pitch changes and turns [1].

101 h autism have enhanced neural sensitivity to pitch changes in nonspeech stimuli but not to lexical to

102 s the right is specialized for processing of pitch changes in speech affecting prosody.

103 estern music, melody is commonly conveyed by pitch changes in the highest-register voice, whereas met

104 g after a sound ends can be tuned to how the pitch changes in time, and that this response in a secon

105 irty-one patients had surgery for AHP in the pitch (chin up/down) position, whereas 119 had surgery f

106 The dual mode display device employing short pitch cholesteric film is able to function on demand und

107 st that the two dimensions of musical pitch, pitch class and pitch height, are mapped to the hue-satu

108 onic pitch classes that referred to the same pitch class with a different name produced color sensati

109 sensations according to the name of the base pitch class, e.g., a reddish color for do-sharp and a ye

110 Pitch class-color synesthesia represents a newly describ

111 ue/brightness) in 15 subjects who possessed "pitch class-color synesthesia".

112 We investigated how pitch classes (do, re, mi, etc.) are associated with the

113 t averaging of reported colors revealed that pitch classes have rainbow hues, beginning with do-red,

114 Enharmonic pitch classes that referred to the same pitch class with

115 Finally, an efficient uniform CNN pitch classification model for all five types of sample

116 The two primary theories of peripheral pitch coding involve stimulus-driven spike timing, or ph

117 the Prognosis of Intracerebral Haemorrhage (PITCH) cohort who were admitted to Lille University Hosp

118 time of concurrent pitches; here, consonant pitch combinations were decoded faster than dissonant co

119 g their finger to be longer after the rising pitch condition.

120 rophobic groove, thereby promoting the short-pitch conformation.

121 ates movement of Arp2 and Arp3 into a "short-pitch" conformation that mimics the arrangement of actin

122 ned to sentences that varied in intonational pitch contour, phonetic content, and speaker.

123 rong age effects suggest that sensitivity to pitch contours reaches adult-like levels early in tonal

124 alize more easily to ecologically irrelevant pitch contours.

125 ategories.SIGNIFICANCE STATEMENT A whistle's pitch conveys meaning to its listener, as when dogs lear

126 orted that micro- and nano-scale topographic pitch created on silk films mimic features of the cornea

127 the current study that various topographical pitch created on silk may affect corneal epithelial stem

128 ferences in the relative salience of the two pitch cues can be attributed to differences in cochlear

129 Accordingly, they downweight pitch cues during speech perception and instead rely on

130 en's Mismatch Responses (MMRs) to equivalent pitch deviations representing within-category and betwee

131 that participants were able to discriminate pitch differences at a similar performance level to that

132 infant response and adult inter-vocalisation pitch differences were smaller following the receipt of

133 grating structures in BCP films with a half-pitch dimension of 9.3 nm.

134 s to examine the relationships between vocal pitch discrimination abilities and vocal responses to au

135 Children with less sensitive auditory pitch discrimination abilities had significantly larger

136 Children with less sensitive auditory pitch discrimination abilities may rely more on auditory

137 Here, we assessed 918 healthy volunteers for pitch discrimination abilities-their ability to tell two

138 ided into two groups based on their auditory pitch discrimination abilities; children within two stan

139 This enhanced pitch discrimination has the potential to significantly

140 out the use of timing information, we tested pitch discrimination of very high-frequency tones (>8 kH

141 In an auditory spatial pitch discrimination task, we modulated the location (le

142 Ferrets accurately generalized pitch discriminations to untrained stimuli whenever temp

143 ce locations on a 4 x 4 raster array (50 mum pitch distance, ablation crater diameter of approximatel

144 d provide the rat with information about the pitch, distance, and yaw of a surface relative to its he

145 contact of each vibrissa and every possible (pitch, distance, and yaw) configuration of the head rela

146 y in confined spaces of 100 nm diameter with pitch down to 500 nm.

147 an enhance behavioral sensitivity to dynamic pitch, even in extreme cases of auditory degradation, bu

148 requency of a tone that matched the tinnitus pitch, f(T), with fixed ratios relative to f(T) and deli

149 a handle to systematically tune the helical pitch from 80 to 130 nm; and (ii) influences the size, s

150 as precluded the possibility of dissociating pitch from brightness.

151 d from a 5700 year-old piece of chewed birch pitch from Denmark.

152 The interaction of concurrent pitches gives rise to a sensation that can be characteri

153 Pitch governs our perception of musical melodies and har

154 defined patterns with a 200 nm (or smaller) pitch (>125,000 DPI), 30 nm (or larger) pixel size/linew

155 The next topic, pitch, has been debated for millennia, but recent techni

156 Although cortical regions responsive to pitch have been identified, little is known about how pi

157 as independent auditory features of a sound, pitch height and timbral brightness can be confused for

158 he well-known crossmodal association between pitch height and value/brightness.

159 dimensions of musical pitch, pitch class and pitch height, are mapped to the hue-saturation plane and

160 ractions along both the long-pitch and short-pitch helices.

161 ividual monomers bound each other in a short-pitch helix complex in addition to other configurations,

162 coil polymerizes head to tail along the long-pitch helix of F-actin to form continuous superhelical c

163 hobic cavity between subunits along the long-pitch helix with only minor differences in conformation

164 to predict the processing time of concurrent pitches; here, consonant pitch combinations were decoded

165 s of tonal languages, however, processing of pitch (i.e., tone) changes that alter word meaning is le

166 the RNaseIII domain corresponds to the 21-nt pitch in the A-form duplex of a long dsRNA substrate, re

167 ch speakers respond rapidly to shifts of the pitch in their auditory feedback.

168 In tonal languages, voice pitch inflections change the meaning of words, such that

169 rate can provide cochlear implant users with pitch information adequate for perceiving melodic inform

170 The mosaicOne_B extracts pitch information in real-time and presents it via 12 mo

171 e been identified, little is known about how pitch information is extracted from the inner ear itself

172 leable, meaning that their encoding of voice pitch information might not receive as much neural speci

173 we take a new approach of providing missing pitch information through haptic stimulation on the fore

174 One way to provide pitch information to cochlear implant users is through a

175 tom of assigning rhythmic functions to lower-pitch instruments may have emerged because of fundamenta

176 Pitch is a fundamental attribute of auditory perception.

177 Pitch is critical to speech understanding (particularly

178 s.SIGNIFICANCE STATEMENT The question of how pitch is represented in the ear has been debated for ove

179 ility to unfamiliar sounds as their sense of pitch is severely degraded.

180 imately 15 nm-diameter nanoparticles, 100 nm pitch) is decorated by a model molecular system, consist

181 To investigate this possibility, pitch matching was conducted with 16 bilateral CI patien

182 A significant facilitation of pitch memory was revealed when anodal stimulation was ap

183 No significant effects on pitch memory were found for anodal tDCS over the right S

184 ce of the left supramarginal gyrus (SMG) for pitch memory.

185 explore whether representations of a sound's pitch might derive from this need for compression, we co

186 This pitch mismatch may be related to degraded binaural abili

187 The results suggest that pitch mismatches are prevalent with bilateral CI users.

188 The results also indicated that pitch mismatches persist even with extended bilateral CI

189 o corral prey [4,5] or to generate an upward pitching moment to counteract the torque caused by rapid

190 Listeners extract pitch movements from speech and evaluate the shape of in

191 negative pressure due to both its shape and pitching movements.

192 tic afferent terminals is greatly reduced in pitch mutants.

193 backscattering effect by comparing variable-pitch nanomeshes.

194 anomesh geometrical features (pore diameter, pitch, neck) was achieved through the alumina template,

195 ies, while delivering a significantly higher pitch-normalized current density-above 0.9 milliampere p

196 ning of words, such that the brain processes pitch not merely as an acoustic characterization of soun

197 We find an average rotational pitch of 1.5mum, which is remarkably robust to changes i

198 regular array of 512 electrode-pixels with a pitch of 28 mum.

199 Ordered BCP line arrays with half-pitch of 6.4 nm are demonstrated on stripes >80 nm wide.

200 ibits an essentially temperature-independent pitch of 66 angstrom, significantly shorter than those r

201 cate that the single helices have a periodic pitch of approximately 100 nm and consist of oblong gold

202 The perception of the pitch of harmonic complex sounds is a crucial function o

203 rrays with a periodicity that matches half a pitch of the cholesteric phase.

204 - or right-handed twist without changing the pitch of the formed helix.

205 w band gap can be controlled by the size and pitch of the quantum dots in the superlattice.

206 f an HCT are shifted by the same amount, the pitch of the resulting inharmonic tone (IHCT) can also s

207 ttice canvas of a thousand pixels each, with pitch of ~8 nm, on its inner and outer surfaces.

208 stance between neighboring electrodes (i.e., pitch) of 0.4 mm and 0.2/0.25 mm respectively.

209 ngth 1D surface relief gratings of different pitches on different facets of an inverse pyramidal arra

210 EG results show that dissonant dyads evoke a pitch onset response (POR) with a latency up to 36 ms lo

211 and judged which tone triplet had the higher pitch or brighter timbre.

212 whether two sequential tones share the same pitch or location depending on the block's instruction.

213 ctive combinations of azimuth and tilt, i.e. pitch or roll.

214 cal regions most responsive to variations in pitch or timbre at the univariate level of analysis were

215 uished based on whether subjects attended to pitch or timbre even when the stimuli remained physicall

216 ind that small manipulations altering either pitch or timbre independently can drive melody recogniti

217 ant attribute of timbre), with the degree of pitch or timbre variation in each sequence parametricall

218 wever, patterns of activation in response to pitch or timbre variations were discriminable in most su

219 n distinguishing between conditions in which pitch or timbre was discriminated.

220 ical regions responsive to changes in either pitch or timbre, but also reveal a population code that

221 rent brain regions preferentially coding for pitch or timbre, whereas other studies have suggested a

222 fundamental frequency (eliciting changes in pitch) or spectral centroid (eliciting changes in bright

223 one of three dimensions: auditory location, pitch, or visual brightness.

224 superoinferior direction and 7.21 degrees in pitch orientation.

225 anteroposterior direction and 2.6 degrees in pitch orientation.

226 ing simultaneously may differ in their voice pitch, perceiving the harmonic structure of sounds is ve

227 Musical pitch perception is argued to result from nonmusical bio

228 Pitch perception is critical for recognizing speech, mus

229 ssumption that poor high-frequency pure-tone pitch perception is the result of peripheral neural-codi

230 gest a candidate neural code underlying rate-pitch perception limitations often observed in CI users.

231 ort the view that cross-species variation in pitch perception reflects the constraints of estimating

232 y world, including auditory localization and pitch perception.

233 tations, with users having severely impaired pitch perception.

234 ganization of cortical regions implicated in pitch perception.

235 tion by AM rate was correlated with dominant pitch percepts in AMWN in many regions.

236 itous in speech and music and produce strong pitch percepts when they contain frequency components th

237 xamine the neural correlates of the abnormal pitch perturbation response in AD patients, using magnet

238 ust model of sensorimotor integration is the pitch perturbation response, in which speakers respond r

239 n abnormally enhanced behavioral response to pitch perturbation.

240 zed vowel sounds and received brief (200 ms) pitch perturbations at 100 Cents in their auditory feedb

241 s suggest that the two dimensions of musical pitch, pitch class and pitch height, are mapped to the h

242 c neuronal and synaptic parameters to assess pitch processing mechanisms at early stages of AC.

243 ERP study investigated whether the distinct pitch processing pattern for speech and nonspeech stimul

244 mechanisms that are responsible for (single) pitch processing.

245 amusia have a lifelong history of unreliable pitch processing.

246 age or tonal foreign language, which rely on pitch processing.

247 However, an increase in pitch (produced by a change in fundamental frequency) ca

248 Melodic features included information on pitch progressions and their tempo, which were extracted

249 lar morphology with a characteristic feature pitch proportional to the input wavelength.

250 ation contours independent of each speaker's pitch range.

251 nd in barrel aged beer production: different pitching rates, high glucose concentration and presence

252 anguage-related regions and right hemisphere pitch-related regions, which reflected the between-group

253 We probed pitch representations in residents of the Bolivian Amazo

254 ulturally contingent, plausibly dependent on pitch representations that develop from experience with

255 The ability to identify pitch-responsive regions in individual amusic subjects w

256 a stimulus contrast that reliably identifies pitch-responsive regions in normal individuals: harmonic

257 esses of 6 and 4 mm, arranged with a 1.27-mm pitch, resulting in a useable field of view 28 mm long a

258 alculation speeds for recognizing all of the pitches segmented from a single sample image.

259 results are consistent with the existence of pitch-sensitive neurons that rely only on place-based in

260 ation of a tonal language benefit in dynamic pitch sensitivity among NH children (using both a sweep

261 In contrast, when this response followed a pitch shift, its magnitude was significantly enhanced du

262 ally likely to report an upward or downward 'pitch' shift between tones.

263 rger vocal response magnitudes to unexpected pitch-shifts and significantly smaller vocal response ma

264 These pitch-shifts were either unexpected, providing informati

265 on abilities and vocal responses to auditory pitch-shifts.

266 aller vocal response magnitudes to sustained pitch-shifts.

267 er study in the context of a pre-hospital or pitch-side test to detect brain injury.

268 Singers produce two pitches simultaneously: a booming low-frequency rumble a

269 The interconnect half-pitch size will reach ~20 nm in the coming sub-5 nm tech

270 ersal speaking style distinguished by higher pitch, slower tempo, and exaggerated intonation, has bee

271 prospectively evaluated and underwent a high-pitch spiral acquisition CT scan.

272 semiconductor arrays exhibit smaller channel pitches than those created using existing lithographic m

273 Despite the perceptual importance of pitch, the neural mechanisms that underlie it remain poo

274 Pitch, the perceptual correlate of sound repetition rate

275 ture and material properties such as helical pitch, the twist elastic constant, and the interfacial t

276 istened to pairs of tone triplets varying in pitch, timbre, or both and judged which tone triplet had

277 l human languages regularly use intonational pitch to convey linguistic meaning, such as to emphasize

278 ll-documented capacity of dynamic changes in pitch to elicit impressions of motion along the vertical

279 be formed under the condition of a low teeth pitch to gap distance ratio.

280 Using these values we predict sound pitch to range from 350-800 Hz by VS modulation, corresp

281 Whenever a scene appeared, a high or low pitched tone was played, and participants counted (and l

282 where auditory neural activity encodes these pitch trajectories as their meaning is learned but not w

283 Many species use pitch trajectories in their own vocalizations to disting

284 responses in particular to better respond to pitch trajectories that distinguish behaviorally relevan

285 s listener, as when dogs learn that distinct pitch trajectories whistled by their owner differentiate

286 We report the precise scaling of inter-CNT pitch using a supramolecular assembly method called spat

287 agonal network of triple helices that have a pitch variation consistent with the model 7/2 helix (3.5

288 ependent variation of its twist-bend helical pitch varying from 100 to 170 angstrom on heating, the t

289 By adjusting the cholesteric pitch via quantitative water extraction, we achieve liqu

290 terned silk films with different topographic pitch via soft lithography and observed human corneal li

291 esolution alone may be sufficient to restore pitch via such implants.

292 noisy, low frequency cries to tonal, higher pitched vocalizations in adults, are caused partially by

293 and find that the individual who chewed the pitch was female and that she was genetically more close

294 tion was measured using sung speech in which pitch was held constant or varied across words, as well

295 terior HC and was only sensitive to vertical pitch, which could reflect the importance of the vertica

296 fforded by the CI limits perception of voice pitch, which is an important cue for speech prosody and

297 ned into nanohelices with a regular twisting pitch, while the other (C'EK(S)K(S)) remained as nanorib

298 w-frequency rumble alongside a hovering high-pitched whistle-like tone.

299 plore their visual environment with a series pitch, yaw and torsional (roll) rotations of their eyes,

300 g head movement to control flight direction (pitch, yaw, and roll axes).