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1 ich implies a narrowly elitist conception of aesthetics.
2 move is welcome and adds depth to empirical aesthetics.
3 y of living to another was not restricted to aesthetics.
4 edigrees with an emphasis on readability and aesthetics.
5 ts to aid dermal absorption of curatives and aesthetics.
6 morphic disorder tend to have an interest in aesthetics.
7 preservation of function, and improvement in aesthetics.
8 siderations like ergonomics, aerodynamics or aesthetics.
9 nd have implications for general theories of aesthetics.
10 timulus that is often considered in terms of aesthetics.
11 of art and from philosophical treatments of aesthetics.
12 ing studies on art appreciation in empirical aesthetics.
13 n the environment is clearly undesirable for aesthetic and economic reasons, the actual environmental
15 1 year, all patients were satisfied with the aesthetic and functional outcomes and no adverse events
20 lestone in our material culture due to their aesthetic and technological value; the Attic black glaze
22 terials, production sequence and the fashion aesthetics and chemical arts practiced in Egypt in the s
27 ligands possessing both exquisite structural aesthetics and intriguing properties are fundamentally i
30 ied, both within the approaches of empirical aesthetics and the historical context and aims of Mondri
33 exible/wearable electronic devices that have aesthetic appeal and multi-functionality has stimulated
36 ing and continuing interest not only for its aesthetic appeal, but also for its fundamental and techn
39 experimental support for the hypothesis that aesthetic appreciation relies on the activation of two d
40 ty to fear to horror to disgust, calmness to aesthetic appreciation to awe, and others-that correspon
44 contexts persists as a result of a pervasive aesthetic-artistic confound; we further specify our clai
47 considerate attention due to their symmetry, aesthetic beauty, and potential applications in catalysi
48 riticisms of scientific studies on empirical aesthetics, Bullot & Reber (B&R) particularly criticise
49 food products not only to make them visually aesthetic but also to reinstate the original appearance
50 ater are evaluated in four dental ceramics: "aesthetic" ceramics-porcelain and micaceous glass-cerami
52 as they can affect both ocular function and aesthetic comfort.Histologic characterization of dermoid
56 light is intrinsic for either operational or aesthetic considerations, but the resulting heating is u
63 ms through which so-called music-specific or aesthetic emotions may arise, will provide the most impo
65 To review the current literature regarding aesthetic enhancement using facial neuromodulators and f
66 nomy, human health, ecological processes and aesthetic enjoyment of the night sky has led to recognit
67 tributed brain network known to underlie the aesthetic evaluation of different types of visual stimul
68 by a variety of factors including a limited aesthetic experience and a focus on fluid consumption ra
69 mous rejection in the 1960s of the view that aesthetic experience involves psychological distancing,
74 gree to which processing fluency can explain aesthetic feeling or may simply be one component of a mo
76 standing sequaelae from incomplete recovery, aesthetic, functional (nasal patency, eye closure, speec
77 ve ideal outcomes and avoid complications in aesthetic, functional and reconstructive surgery must ha
78 not shown how the aesthetic modes are truly "aesthetic" - how they concern our experience of artworks
79 fter healing include variable functional and aesthetic impairments, which require reconstructive surg
80 ated adverse events), CLSS grade, and Global Aesthetic Improvement Scale rating (5-point scale, rangi
81 ant improvement of CLSS (grade 1) and Global Aesthetic Improvement Scale rating (very much improved)
82 cause the patient requested a size change or aesthetic improvement, and 359 procedures (79.8 percent)
86 how systematic variation in contour impacts aesthetic judgments and approach-avoidance decisions, ou
88 usion, and pride, come about through complex aesthetic meanings, which integrate conceptual knowledge
89 I argue that they have not shown how the aesthetic modes are truly "aesthetic" - how they concern
92 vation of two different networks, an initial aesthetic network and a delayed aesthetic network, engag
93 , an initial aesthetic network and a delayed aesthetic network, engaged within distinct time frames.
95 e relationships existing between the DMN and aesthetic networks and offer unique inputs to debates on
97 urrent Y-TZP ceramics on the market lack the aesthetics of competitive glass-ceramics and are therefo
98 rios, we assessed patient perceptions of the aesthetics of FMT and their willingness to consider it a
100 n line with the striking hypothesis that the aesthetics of the environment may have quantifiable cons
105 e defect, osteotomy rate, and functional and aesthetic outcome, and could guide the method of reconst
106 ediatric microtia often result in suboptimal aesthetic outcomes and morbidity at the costal cartilage
107 cult to reconstruct with good functional and aesthetic outcomes because of the complex geometry of cr
111 neficial insects, may be one means to change aesthetic perceptions and gain leeway for implementing i
112 sequence has therefore invited all manner of aesthetic, philosophical, societal - as well as biologic
114 Finally, we argue that the fluency theory of aesthetic pleasure can be amended to meet the requiremen
115 gnitive psychology to explain experiences of aesthetic pleasure is problematic because it is founded
117 at the well-established effect of contour on aesthetic preference can be extended to architecture.
120 ty, including species richness?; (ii) How do aesthetic preferences for wildflower communities vary ac
121 achian Mountain forests and asked (i) How do aesthetic preferences for wildflower communities vary wi
123 h losses are widely viewed as an ethical and aesthetic problem, recent research reveals extensive cas
124 ns of combining laser resurfacing with other aesthetic procedures, such as lower blepharoplasty and f
125 se venerable hypotheses persist in models of aesthetic processing [3-7] but have never been tested.
126 The development of both the physical and aesthetic properties of materials used to be a collabora
129 at exert physiologic changes to the skin for aesthetic purposes and are popular alternatives to invas
136 vironment score combined measures of greater aesthetic quality, safety, and social cohesion and less
137 even dimensions of neighborhood environment (aesthetic quality, walking environment, availability of
138 could be utilized to enhance the grapefruit aesthetic quality, with minimal effect on nutritional qu
139 ocedures are being performed on children for aesthetic reasons and for the management of dermatologic
141 ts of the review support the conclusion that aesthetic response can be studied rigorously and meaning
142 s were significantly more satisfied with the aesthetic result (P < 0.001) and had a significantly bet
143 d less pain, increased satisfaction with the aesthetic result, and improved postoperative quality of
144 tion of hospital stay, satisfaction with the aesthetic result, and quality of life on POD 10 as quant
147 access, street connectivity, infrastructure, aesthetics, safety, and perceived distance to destinatio
150 rm outcome measure that represents visual or aesthetic sequelae complicates the design of evidence-ba
151 gnored by Bullot & Reber (B&R), in empirical aesthetics several lines of research have studied how kn
153 nding, ligand assembly on particle surfaces, aesthetic structural patterns, periodicities, and emerge
154 ulofacial surgeon as experts in the realm of aesthetic surgery, familiarity with facial anatomy is es
155 er are preoccupied with their appearance and aesthetics, they are more likely to have an occupation o
157 l and empirical work that looks beyond color aesthetics to the link between color and psychological f
158 art appreciation would confine the study of aesthetics to those works for which historical informati
161 each fruits and indirectly to ameliorate the aesthetic value due to the higher anthocyanin content.
163 sitive and negative emotions, the effects of aesthetic virtues of using the media of (re)presentation
164 uments from both philosophical and empirical aesthetics, we hereby propose that the enjoyment of nega
165 They underestimate the reach of scientific aesthetics while failing to identify its inherent restri
166 sideration of the communicative dimension of aesthetic works, which could strengthen both factors of
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