ライフサイエンスコーパス: audition

1 cts on representations of a second modality (audition).

2 lanation for this central issue in music and audition.

3 l and functional role for dopamine in normal audition.

4 ns onto regions concerned with olfaction and audition.

5 t of the relative influence of vision versus audition.

6 g an extensive reexamination of invertebrate audition.

7 ncy selectivity and sensitivity in mammalian audition.

8 t of phonological representations depends on audition.

9 ge to traditional models of neural coding in audition.

10 s than during localization in both touch and audition.

11 tion within the mammalian cochlea to enhance audition.

12 A similar phenomenon has been documented in audition.

13 imuli into electrical impulses that subserve audition.

14 es in the MGv perform different functions in audition.

15 s between acoustic elements are important in audition.

16 y during attention shifts between vision and audition.

17 oluntary attention shifts between vision and audition.

18 the temporal bone play an important role in audition.

19 of sensory functions including olfaction and audition.

20 n and movement, can be perceived by touch or audition.

21 In audition, analysis of temporal frequency is necessary fo

22 contains the sensory organs specialised for audition and balance, develops from an ectodermal placod

23 ribed in octavolateralis nuclei dedicated to audition and electroreception.

24 experiments how information originating from audition and imagery affects the brain activity patterns

25 ound, and touch), the location of a speaker (audition and sight), and the rhythm or duration of an ev

26 sampled by two of the major sensory systems, audition and touch, notwithstanding that these signals a

27 ency channels are perceptually linked across audition and touch.

28 quency is a fundamental sensory dimension in audition and touch.

29 simple duration-detection mechanisms across audition and touch; these systems were chosen because fi

30 Audition and vision both form spatial maps of the enviro

31 universal crossmodal correspondence between audition and vision.

32 ystem, including unconscious proprioception, audition, and arousal.

33 mic sensory signals, such as occurs in human audition, and as a means to lock an intrinsic rhythm to

34 multiple sensory modalities, such as vision, audition, and chemosensation.

35 n be resolved are well understood in vision, audition, and somatosensation.

36 blindness', has been reported within vision, audition, and touch.

37 r the monkey's cerebral memory mechanisms in audition are intrinsically different from those in other

38 ems (vision, olfaction, somatosensation, and audition) are thought to use different but partially ove

39 arly in embryonic development, maturation of audition around the time of hatching suggested that syna

40 s, it is imperative that any role of Cx30 in audition be clearly evaluated.

41 euronal information processing in vision and audition, but the principle of SAT is still debated in o

42 Attention shifts from vision to audition caused increased activity in auditory cortex an

43 , most importantly, the speed of response of audition compared with other senses means that we have n

44 a preference for sensory modality, vision or audition, defines four discrete LFC regions.

45 ut to a striatothalamic pathway important to audition-dependent vocal plasticity, and changes in spin

46 neurons innervating a pathway essential for audition-dependent vocal plasticity.

47 omplex sounds is a crucial function of human audition, especially in music and speech processing.

48 ral regulatory lineage being under stringent audition for interaction with MHC class II/self-peptide.

49 vision, wavelength translates into color; in audition, frequency translates into pitch.

50 udied in vision, the analogous phenomenon in audition has yet to be systematically explored.

51 PE studies in audition have capitalized on low-frequency event-related

52 because noise may interfere with the use of audition in multimodal prey detection.

53 Audition in the silver perch is comparable to that in th

54 Vertebrate audition is a dynamic process, capable of exhibiting bot

55 Because audition is referenced to the head and vision is referen

56 n leading produce bigger recalibrations than audition leading.

57 For instance, loss of vision or audition leads to the brain areas normally associated wi

58 nal magnetic resonance imaging (fMRI) during audition of short sentences.

59 t inactivation (CDI), potentially permitting audition of sustained sounds.

60 g in a variety of systems, including vision, audition, olfaction, taste and electric sense.

61 nducted, the direct influence of compromised audition on the auditory cortex and the potential impact

62 t would be predicted by their performance in audition-only and vision-only conditions.

63 administered to 3 groups of participants in audition-only, vision-only, and auditory-visual conditio

64 es have shown that manipulating frequency in audition or touch can have a significant cross-sensory i

65 recently surged in the neural mechanisms of audition, particularly with regard to functional imaging

66 indicate that monkeys perform serial DMS in audition remarkably poorly and that whatever success the

67 Vision and audition separately may affect the ability to extract or

68 vant modality-they fully combined vision and audition such that they perceived equal numbers of flash

69 er, for example the bias of visual timing by audition: temporal ventriloquism.

70 rmation because temporal acuity is better in audition than vision.

71 Echolocating bats use audition to guide much of their behavior.

72 m multiple sensory sources (e.g., vision and audition) to maximize an organism's ability to identify

73 ce a common color percept termed "white." In audition, two mixtures, each containing an independent s

74 Therefore, standard steady-state studies in audition, using sinusoidal AM, may not be sensitive to a

75 n derives almost exclusively from studies of audition, vision and somatosensation.

76 In several sensory systems, such as audition, vision, and somatosensation, topographic maps

77 thoroughly explored in interactions between audition, vision, and touch may also explain the combina

78 ttention across the various modalities (i.e. audition, vision, touch and proprioception).

79 f the antenna 150 years ago, speculated that audition was involved with mating behaviour.

80 y modalities, is particularly challenging in audition, where sounds from various sources and localiza