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1 as concomitant with the highest L( *)-value (lightness).
2 ced muscle pH, cathepsin activity and fillet lightness.
3 achieve accurate and invariant judgments of lightness.
4 eports of simple surface attributes, such as lightness.
5 for logarithm NFX concentration against Hue+Lightness.
6 minance onto a much smaller range of surface lightness.
7 s, such as viscoelastic behaviour, colour L (lightness), -a(*) (greenness), b(*) (yellowness), DeltaE
8 nsumer characteristics in terms of increased lightness and decreased red and yellow color components.
9 n animals suggest that the perception of the lightness and depth of visual surfaces develops through
10 sed a( *) (red/green), colour saturation and lightness and increased b( *) (yellow/blue), and hue ang
11 es, raisining decreases a(*) (red/green) and lightness and increases b( *) (yellow/blue), colour satu
13 tional influences related to categorical and lightness and saturation factors, the model explains mor
17 ng depth discontinuities to infer the depth, lightness, and opacity of stereoscopically viewed surfac
18 biguous visual stimuli, in which percepts of lightness/brightness are determined by the probabilistic
19 wer differences in colourimetric properties (lightness, chroma and hue angle) under darkness and 4 de
20 such as edge detection, image segmentation, lightness computation and estimation of three-dimensiona
24 , 18, 19] and a variant that led to a weaker lightness effect, as well as a pattern with actual lumin
26 challenge models that account for perceived lightness entirely through the action of image-encoding
27 ecting a color that differs in saturation or lightness from distractors are much less selective than
30 The range of perceived surface reflectance (lightness), however, can be well approximated by the Mun
35 t experiments suggest that our perception of lightness involves a sophisticated interpretation of ill
42 the loaves after cooking and an increase of lightness of crumb with respect to the control was obser
45 nt light reflect the perceived brightness or lightness of the scene and not simply the amount of phys
48 n to many different approaches to brightness/lightness phenomena; furthermore, object-size representa
51 two groups arose mainly from differences in lightness, rather than chromaticity of the colours they
53 ge of 5,905:1 can be mapped onto an extended lightness scale that has a reflectance range of 100:1.
59 a gaze-contingent display setup, the matched lightness was higher when observers fixated bright regio
60 of the collected image (Hue, Saturation and Lightness) were obtained by simple image management (ena
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