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1 ic T cells via protein transfer (or protein "painting").
2 ormation critical to the interpretation of a painting.
3 ytogenetic level by cross species chromosome painting.
4 ra at each pixel in the image for the entire painting.
5 now be seen with the technique of chromosome painting.
6 , DNase I) digestion, followed by chromosome painting.
7 BI using a newly developed technique, vessel painting.
8 paints as well as an actual 18th century oil painting.
9 low the model to accommodate photography and painting.
10 ingle microscopic sample from a historic oil painting.
11 ced in female recipient mice by Y chromosome painting.
12 of the materials and techniques used in the painting.
13 y with human has been revealed by chromosome painting.
14 -deficient juveniles are suppressed by ESP22 painting.
15 ion of heterogeneous complex systems such as paintings.
16 fractal analysis can be used to authenticate paintings.
17 degrees C can occur, which is a problem for paintings.
18 tection of gum arabic in samples from a late painting (1949/1954) by Georges Braque in the collection
19 nish artist Diego Velazquez created a puzzle-painting 360 years ago that to this day remains unsolved
22 lution access to both sides were obtained by painting a phospholipid:decane mixture across a cylindri
23 ctions involved in poly(A) site recognition, painting a picture more complex than previously envision
25 esponse monitoring or radiation therapy dose painting, accurate quantification of tracer uptake at th
29 o the study of nucleic acid translocases are painting an increasingly sharp picture of the inner work
32 zygotes by using a combination of chromosome painting and 4',6-diamidino-2-phenylindole staining.
33 placing a highly reflective tube between the painting and camera and introducing a low temperature so
35 with N-nitroso-tris-chloroethylurea by skin painting and found that this regimen induced lung SCCs i
36 en and turkey based on reciprocal chromosome painting and mapping of 338 chicken BACs to turkey metap
37 ive genomic hybridisation, SNP arrays, array painting and next-generation sequencing analytical metho
38 e production technology of an 1,800-year-old painting and one of the oldest surviving encaustic ("bur
41 ined twice more fluorescence after FITC skin painting and twice more donor DC after footpad injection
42 vities involving solvent exposure, including painting and use of solvents for cleaning, were associat
43 provided a blood sample for whole chromosome painting and were interviewed about past X-ray examinati
44 ibes were analyzed by comparative chromosome painting and/or whole-transcriptome analysis of gene age
45 relating to the patient and the viewer, the paintings and drawings are considered in relation to the
46 or authenticating works of art, specifically paintings and drawings, from high-resolution digital sca
47 ve been used as textile dyes and pigments in paintings and other polychrome works of art since antiqu
49 require additional radiation doses (ie, dose painting) and from treatment adaptation tracing changes
51 comparative chromosomal banding, chromosome painting, and gene-order studies have shown strong conse
52 using glufosinate herbicide, hygromycin leaf painting, and multiplex polymerase chain reaction (PCR).
54 roblems involving preservation of pavements, paintings, and historical monuments, mineral-fluid inter
55 , we have developed two different chromosome-painting approaches to address how chromosome territorie
56 the contentions that Jackson Pollock's drip paintings are fractals produced by the artist's Levy dis
58 y, this study confirms that the Chauvet cave paintings are the oldest and the most elaborate ever dis
63 ter simulations show Degas' own view of this painting at each of these times and demonstrate how his
65 er of artists that may have contributed to a painting attributed to Pietro Perugino and again achieve
66 Biologically conformal radiotherapy (dose painting) based on molecular imaging-assessed tumor hete
68 sing either the test painting or the mock-up painting both measured with a table-top micro-XRF setup.
73 wo "representative studies" that manipulated paintings by Mondrian, those studies seemingly, "fail[in
75 rpose, three microsamples from two varnished paintings by Van Gogh and a waxed low relief by Gauguin
76 her technical and art historical findings on paintings by Vermeer and other Dutch 17th century artist
85 perators (OR 1.2 [95% CI 1.0-1.4]), and hand painting, coating, and decorating occupations (OR 1.8 [9
88 synthase gene are congruent with comparative painting data and place Calepina, Conringia, and Sisymbr
89 le mammalian species coupled with chromosome-painting data provide a powerful resource for resolving
91 sed visible deterioration in hundreds of oil paintings dating from the 15th century to the present.
92 umber is constant and comparative chromosome painting demonstrated there to be very few interchromoso
93 llow-orange/pale yellow areas of 12 Van Gogh paintings, demonstrating that Van Gogh effectively made
94 recent developments of multicolor chromosome painting, describe applications in basic chromosome rese
96 tological staining, cross-species chromosome painting, DNA probe analyses, and scanning electron micr
100 hed prerequisites for comparative chromosome painting enable future studies on the chromosome homoeol
101 he powerful illusory motion perceived in the painting Enigma, created by op-artist Isia Leviant.
104 garette smoke and its constituents grew from painting experiments on the skin of mice to produce papi
105 s from this method with data from chromosome painting experiments to produce a map of an early mammal
108 olecular imaging for tumor delineation, dose painting for dose escalation, dose adaptation throughout
111 ological objects, polychrome sculptures, and paintings from samples smaller than 25 microm in diamete
115 or on-site analysis, especially for valuable paintings held under strict museum security and for wall
121 anesthesia in tetralogy of Fallot, 3.6%; 3) painting in atrioventricular septal defect with Down syn
122 ondarily generated tissue using Y chromosome painting in chimaeric mice indicates that once different
125 echnique to characterize microsamples from a painting, in conjunction with analyses by gas chromatogr
129 d produces good quality data; however, array painting is equally achievable using any combination of
132 he layer structure of the 17th century easel painting Madonna in Preghiera by the workshop of Giovann
135 the rearrangements visualized by chromosome painting, mostly translocations, are only a fraction of
136 s to the thymus in parabiotic mice and after painting mouse skin with fluorescein isothiocyanate.
137 were measured with 24-color whole-chromosome painting (multiplex FISH), after damage to interphase ly
138 of wheeze for farm activities were for daily painting (odds ratio = 1.82; 95% confidence interval = 0
139 icated on an A4-size paper by applying brush painting of a concentrated graphene ink (10 mg mL(-1), i
142 Li-ion batteries solely by multi-step spray painting of its components on a variety of materials suc
143 confirmed a progenitor source and chromosome painting of labelled donor cells revealed transdifferent
144 and extension of the Omics Viewer to support painting of metabolites, animations and zooming to indiv
147 We present a comprehensive analysis by array painting of the chromosome translocations of breast canc
152 ped features include whole genome displays, 'painting' of genes according to properties such as GC co
153 dodecyl,methyl-polyethylenimine and coating (painting) of glass slides with this polycation's butanol
158 ry (OR = 4.52, 95 percent CI 2.27-8.97), and painting or paint manufacturing (OR = 2.87, 95 percent C
159 p of these shaped apertures, either with the painting or the folding method, display drastically incr
160 thodology was verified using either the test painting or the mock-up painting both measured with a ta
163 in humans showing that subjective values of painting pictures, as expressed in explicit pleasantness
164 company (a favor) increases the valuation of paintings placed next to the sponsoring corporate logo,
166 ing a chromosome 5-specific whole chromosome painting probe and a 5q subtelomeric probe to determine
171 zation (FISH) with mouse chromosome specific painting probes can complement conventional banding anal
173 on to human chromosome-specific probe pools, painting probes have become available for an increasing
174 tion of 24 fluorescently labelled chromosome painting probes that allows the simultaneous and differe
175 ation of 24 fluorescently labeled chromosome painting probes to metaphase spreads in such a manner th
176 zation of combinatorially labeled chromosome-painting probes with unique fluorochrome signatures onto
177 ryotype analysis, a pool of human chromosome painting probes, each labelled with a different fluor co
178 taneous hybridization of multiple chromosome painting probes, each tagged with a specific fluorochrom
183 and those directly obtained from the Chauvet paintings reveal that the "vulvar" representations from
184 , although karyotype analysis and chromosome painting revealed the consistent presence of a submetace
186 tion state of irreplaceable 20th century oil paintings, revealing the chemical distribution of Zn soa
188 e thorough identification and mapping of the painting's constituent organic and inorganic materials,
189 de a global and detailed account of an easel painting's stratigraphy by exploiting the sparse deconvo
193 fic aberrations; and (b) by using chromosome painting so that many more metaphases could be analyzed.
194 ve been identified and delineated by digital painting so that the anatomical components can be visual
195 single nucleotide polymorphisms, chromosome painting, Southern blotting and restriction fragment len
196 g our previously described lipophilic ligand painting strategy, red blood cells (RBCs) could be in on
197 es and then eventually grow within the whole painting stratigraphy as irregularly shaped particles.
199 ms with art while attending to the layout or painting style, and memory was subsequently tested.
200 with paintings, attending to room layouts or painting styles on different trials during high-resoluti
201 ry hard to detect, but a new chromosome band painting technique has made their detection practical.
210 ion, topical application of asphalt fumes by painting the tail skin of mice increased AP-1 activity b
217 nducting polymer dots (Pdots) as an optical 'painting' tool, which enables the selection of certain a
218 ration toward DLN was evaluated by FITC skin painting, transgenic GFP skin tissue grafting, and footp
220 ation of a yellow lake pigment in a historic painting using SERS as well as the utility of our treatm
222 Heritage that deal, for example, with hidden paintings vandalized with graffiti or covered by superim
224 sample cross-section from a 15th century oil painting was examined by synchrotron X-ray techniques.
225 of ZnSt2 expanding toward the support of the painting were observed and interpreted as the early stag
226 technique, mid-IR emissivity image cubes of paintings were collected at high collection rates with a
227 tissue, to the case of the color palette in paintings, where chromophores have much greater variety.
228 ld under strict museum security and for wall paintings which cannot physically be removed from their
229 sign and execution of experiments using Cell Painting, which is a morphological profiling assay that
234 nking TPA raised AP-1 activity 8.4-fold, and painting with TPA caused a 2.4-fold induction of AP-1 ac
236 roscopy permits nondestructive 3D imaging of paintings with molecular and structural contrast, even f
237 ed a meager tool for the characterization of paintings with paint-layer thicknesses smaller than 50 m
238 tual cross-sectioning capabilities in mockup paintings, with pigment separation and nondestructive im
239 ears, egg white was used to coat and protect paintings without detailed understanding of its molecula
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