戻る
「早戻しボタン」を押すと検索画面に戻ります。

今後説明を表示しない

[OK]

コーパス検索結果 (1語後でソート)

通し番号をクリックするとPubMedの該当ページを表示します
1 ic T cells via protein transfer (or protein "painting").
2 ormation critical to the interpretation of a painting.
3 ytogenetic level by cross species chromosome painting.
4 ra at each pixel in the image for the entire painting.
5 now be seen with the technique of chromosome painting.
6 , DNase I) digestion, followed by chromosome painting.
7 BI using a newly developed technique, vessel painting.
8 paints as well as an actual 18th century oil painting.
9 low the model to accommodate photography and painting.
10 ingle microscopic sample from a historic oil painting.
11 ced in female recipient mice by Y chromosome painting.
12  of the materials and techniques used in the painting.
13 y with human has been revealed by chromosome painting.
14 -deficient juveniles are suppressed by ESP22 painting.
15 ion of heterogeneous complex systems such as paintings.
16 fractal analysis can be used to authenticate paintings.
17  degrees C can occur, which is a problem for paintings.
18 tection of gum arabic in samples from a late painting (1949/1954) by Georges Braque in the collection
19 nish artist Diego Velazquez created a puzzle-painting 360 years ago that to this day remains unsolved
20                        The early results are painting a detailed portrait of cancer that illustrates
21                                              Painting a glass slide with branched or linear N,N-dodec
22 lution access to both sides were obtained by painting a phospholipid:decane mixture across a cylindri
23 ctions involved in poly(A) site recognition, painting a picture more complex than previously envision
24 ly by solution-casting the ECL gel and brush-painting a top Ag electrode.
25 esponse monitoring or radiation therapy dose painting, accurate quantification of tracer uptake at th
26                                        Later paintings, achieved when AA was nearly mute, moved towar
27 e nature and distribution of Zn soaps in the painting Alchemy by J.
28                                   Chromosome painting allows the visualization of individual chromoso
29 o the study of nucleic acid translocases are painting an increasingly sharp picture of the inner work
30            Finally, karyotype and chromosome painting analyses showed no evidence for TCR gene transl
31 e number observed with reciprocal chromosome painting analyses.
32 zygotes by using a combination of chromosome painting and 4',6-diamidino-2-phenylindole staining.
33 placing a highly reflective tube between the painting and camera and introducing a low temperature so
34                       Comparative chromosome painting and cytogenetic mapping of 15 zebra finch BAC c
35  with N-nitroso-tris-chloroethylurea by skin painting and found that this regimen induced lung SCCs i
36 en and turkey based on reciprocal chromosome painting and mapping of 338 chicken BACs to turkey metap
37 ive genomic hybridisation, SNP arrays, array painting and next-generation sequencing analytical metho
38 e production technology of an 1,800-year-old painting and one of the oldest surviving encaustic ("bur
39 technological processes, including printing, painting and spraying.
40                               FITC/DNFB skin painting and subsequent enzyme-linked immunospot assay d
41 ined twice more fluorescence after FITC skin painting and twice more donor DC after footpad injection
42 vities involving solvent exposure, including painting and use of solvents for cleaning, were associat
43 provided a blood sample for whole chromosome painting and were interviewed about past X-ray examinati
44 ibes were analyzed by comparative chromosome painting and/or whole-transcriptome analysis of gene age
45  relating to the patient and the viewer, the paintings and drawings are considered in relation to the
46 or authenticating works of art, specifically paintings and drawings, from high-resolution digital sca
47 ve been used as textile dyes and pigments in paintings and other polychrome works of art since antiqu
48       Despite their widespread occurrence in paintings and the growing interest of the scientific com
49 require additional radiation doses (ie, dose painting) and from treatment adaptation tracing changes
50 luorescent in situ hybridization (chromosome painting) and image analysis.
51  comparative chromosomal banding, chromosome painting, and gene-order studies have shown strong conse
52 using glufosinate herbicide, hygromycin leaf painting, and multiplex polymerase chain reaction (PCR).
53 nzene, gasoline, motor vehicle-related jobs, painting, and rubber solvents.
54 roblems involving preservation of pavements, paintings, and historical monuments, mineral-fluid inter
55 , we have developed two different chromosome-painting approaches to address how chromosome territorie
56  the contentions that Jackson Pollock's drip paintings are fractals produced by the artist's Levy dis
57                     The process by which art paintings are produced typically involves the successive
58 y, this study confirms that the Chauvet cave paintings are the oldest and the most elaborate ever dis
59                    Here we introduce protein painting as a new tool that employs small molecules as m
60                 While not authenticating the painting as being by Vermeer, the results provide furthe
61 cDNA constructs, via a microscopy-based Cell Painting assay.
62 llular morphology via an imaging-based "cell painting" assay.
63 ter simulations show Degas' own view of this painting at each of these times and demonstrate how his
64               Participants viewed rooms with paintings, attending to room layouts or painting styles
65 er of artists that may have contributed to a painting attributed to Pietro Perugino and again achieve
66    Biologically conformal radiotherapy (dose painting) based on molecular imaging-assessed tumor hete
67 nt the first report of reciprocal chromosome painting between humans and a rodent.
68 sing either the test painting or the mock-up painting both measured with a table-top micro-XRF setup.
69 tal spectroscopy were used to characterize a painting by Cosimo Tura.
70          In this protocol, we describe array painting by isolation of derivative chromosomes using a
71                                         Dose-painting by numbers is a strategy by which the dose dist
72 s paper we have shown how cadmium sulfide on paintings by James Ensor oxidizes to CdSO(4).H(2)O.
73 wo "representative studies" that manipulated paintings by Mondrian, those studies seemingly, "fail[in
74           Microsamples collected on 27 major paintings by Old European Masters dating from the 14th t
75 rpose, three microsamples from two varnished paintings by Van Gogh and a waxed low relief by Gauguin
76 her technical and art historical findings on paintings by Vermeer and other Dutch 17th century artist
77 is known to affect the appearance of several paintings by Vincent van Gogh.
78 CrO(4) and PbCr(1-x)S(x)O(4)) are present in paintings by Vincent van Gogh.
79 carbon has been used as a black material for paintings, camouflage, and optics.
80               KEY POINTS: Just as a portrait painting can come from a collection of coarse and fine d
81                                     Inferred painting can often determine the chromosomal homologous
82  or that perhaps Neandertals also engaged in painting caves.
83                          The feasibility of "painting" cells with preformed conjugates of a murine B7
84                                     In array painting, chromosomes are isolated by flow cytometry, am
85 perators (OR 1.2 [95% CI 1.0-1.4]), and hand painting, coating, and decorating occupations (OR 1.8 [9
86                                        Array painting combines the isolation of derivative chromosome
87                  The layering structure of a painting contains a wealth of information about the arti
88 synthase gene are congruent with comparative painting data and place Calepina, Conringia, and Sisymbr
89 le mammalian species coupled with chromosome-painting data provide a powerful resource for resolving
90 gene and BAC maps, in addition to chromosome painting data.
91 sed visible deterioration in hundreds of oil paintings dating from the 15th century to the present.
92 umber is constant and comparative chromosome painting demonstrated there to be very few interchromoso
93 llow-orange/pale yellow areas of 12 Van Gogh paintings, demonstrating that Van Gogh effectively made
94 recent developments of multicolor chromosome painting, describe applications in basic chromosome rese
95                                         This painting differs from the Ensor case in the fact that (a
96 tological staining, cross-species chromosome painting, DNA probe analyses, and scanning electron micr
97           Using five administration methods (painting, drinking, gavage feeding, i.p. injection, and
98  kinases in the skin increased at 12 h after painting, drinking, or i.p. injection of TPA.
99 ot detectable after administration of TPA by painting, drinking, or injection.
100 hed prerequisites for comparative chromosome painting enable future studies on the chromosome homoeol
101 he powerful illusory motion perceived in the painting Enigma, created by op-artist Isia Leviant.
102                             We find that the paintings exhibit fractal characteristics over too small
103 re confirmed in new cross-species chromosome-painting experiments (dog-on-human, fox-on-human).
104 garette smoke and its constituents grew from painting experiments on the skin of mice to produce papi
105 s from this method with data from chromosome painting experiments to produce a map of an early mammal
106 aryotype analysis via comparative chromosome painting experiments.
107         Here, we study cadmium yellow in the painting "Flowers in a blue vase" by Vincent van Gogh.
108 olecular imaging for tumor delineation, dose painting for dose escalation, dose adaptation throughout
109  make it necessary to model the spatial dose painting for specific neuronal components.
110                                              Paintings from AA's artistic peak revealed her capacity
111 ological objects, polychrome sculptures, and paintings from samples smaller than 25 microm in diamete
112                                     Inferred painting greatly reduces the need to map entire genomes
113              Recent studies using chromosome painting have helped to identify DNA double-strand-break
114            HDM was applied epicutaneously by painting HDM on unmanipulated ear skin or under an occlu
115 or on-site analysis, especially for valuable paintings held under strict museum security and for wall
116 omologue positions, and human-cat chromosome painting homologies.
117          Breakpoints were mapped using array painting, i.e., hybridization of chromosomes isolated by
118                    Additionally, chromosomal painting identified nuclei from female DCs, previously i
119                          Moreover, after IMQ-painting, IL-23 was exclusively produced by Langerin(neg
120                      A newer concept of dose-painting IMRT is aimed at exploiting inhomogeneous dose
121  anesthesia in tetralogy of Fallot, 3.6%; 3) painting in atrioventricular septal defect with Down syn
122 ondarily generated tissue using Y chromosome painting in chimaeric mice indicates that once different
123                                   Chromosome painting in placental mammalians illustrates that genome
124 the oldest surviving encaustic ("burned in") paintings in the world.
125 echnique to characterize microsamples from a painting, in conjunction with analyses by gas chromatogr
126                     Cross-species chromosome painting is a powerful technique for establishing chromo
127                                        Array painting is a technique that uses microarray technology
128                                          The painting is an eye chart of his career.
129 d produces good quality data; however, array painting is equally achievable using any combination of
130 re the protocol for cross-species chromosome painting is presented.
131 est in work of art, in particular in tempera paintings, is presented.
132 he layer structure of the 17th century easel painting Madonna in Preghiera by the workshop of Giovann
133                                    Using the painting method, we modified the atrial phenotype with a
134 ransmural atrial gene transfer by this novel painting method.
135  the rearrangements visualized by chromosome painting, mostly translocations, are only a fraction of
136 s to the thymus in parabiotic mice and after painting mouse skin with fluorescein isothiocyanate.
137 were measured with 24-color whole-chromosome painting (multiplex FISH), after damage to interphase ly
138 of wheeze for farm activities were for daily painting (odds ratio = 1.82; 95% confidence interval = 0
139 icated on an A4-size paper by applying brush painting of a concentrated graphene ink (10 mg mL(-1), i
140                         Rembrandt's striking painting of a human brain being dissected by a headless
141                                              Painting of dog chromosomes with a human whole chromosom
142  Li-ion batteries solely by multi-step spray painting of its components on a variety of materials suc
143 confirmed a progenitor source and chromosome painting of labelled donor cells revealed transdifferent
144 and extension of the Omics Viewer to support painting of metabolites, animations and zooming to indiv
145                                              Painting of pachytene chromosomes of Calepina, Conringia
146                                   Chromosome painting of SWS620 mutants revealed that the loss of APR
147 We present a comprehensive analysis by array painting of the chromosome translocations of breast canc
148 g cells in regional lymph nodes after hapten painting of the skin.
149 protein materials, natural resins etc.) from paintings of historical and artistic interest.
150  prepared in the lab, and real samples, from paintings of the XVIII-XX century.
151                 Such protein engineering or "painting" of the cell surface offers several advantages
152 ped features include whole genome displays, 'painting' of genes according to properties such as GC co
153 dodecyl,methyl-polyethylenimine and coating (painting) of glass slides with this polycation's butanol
154                  Chemical transformations in paintings often induce discolorations, disturbing the ap
155 he orange-gray crust that is disfiguring the painting on a macroscopic level.
156 c compounds commonly emitted from automotive painting operations were experimentally studied.
157  compounds typically emitted from automobile painting operations.
158 ry (OR = 4.52, 95 percent CI 2.27-8.97), and painting or paint manufacturing (OR = 2.87, 95 percent C
159 p of these shaped apertures, either with the painting or the folding method, display drastically incr
160 thodology was verified using either the test painting or the mock-up painting both measured with a ta
161            It is commonly seen in dehydrated paintings or asphalt pavements and even in graphene or o
162                     Animals underwent vessel painting perfusion to label the entire cortex at 1 day p
163  in humans showing that subjective values of painting pictures, as expressed in explicit pleasantness
164 company (a favor) increases the valuation of paintings placed next to the sponsoring corporate logo,
165                                          The painting poses a difficult challenge to conventional X-r
166 ing a chromosome 5-specific whole chromosome painting probe and a 5q subtelomeric probe to determine
167                                The bovine Xp painting probe identified an interstitially located homo
168 dization (FISH) analyses with a chromosome 6 painting probe.
169                               The chromosome painting probes and molecular markers generated in this
170                                        These painting probes and their corresponding DNA libraries we
171 zation (FISH) with mouse chromosome specific painting probes can complement conventional banding anal
172          We have developed bovine chromosome painting probes for Xp and Xq to assess segment homologi
173 on to human chromosome-specific probe pools, painting probes have become available for an increasing
174 tion of 24 fluorescently labelled chromosome painting probes that allows the simultaneous and differe
175 ation of 24 fluorescently labeled chromosome painting probes to metaphase spreads in such a manner th
176 zation of combinatorially labeled chromosome-painting probes with unique fluorochrome signatures onto
177 ryotype analysis, a pool of human chromosome painting probes, each labelled with a different fluor co
178 taneous hybridization of multiple chromosome painting probes, each tagged with a specific fluorochrom
179 ith differentially labelled mouse chromosome painting probes.
180  using bidirectional heterologous chromosome painting (reciprocal Zoo-FISH) analysis.
181                                  Chromosome 'painting' refers to the hybridization of fluorescently l
182                                         Dose painting relies on biologic imaging such as positron emi
183 and those directly obtained from the Chauvet paintings reveal that the "vulvar" representations from
184 , although karyotype analysis and chromosome painting revealed the consistent presence of a submetace
185                                   Chromosome painting revealed the distribution of transposable eleme
186 tion state of irreplaceable 20th century oil paintings, revealing the chemical distribution of Zn soa
187                                   Chromosome painting reveals that these X and Y chromosomes contain
188 e thorough identification and mapping of the painting's constituent organic and inorganic materials,
189 de a global and detailed account of an easel painting's stratigraphy by exploiting the sparse deconvo
190                             A remarkable oil painting, Scene from the Steeplechase: The Fallen Jockey
191 participants, were enrolled from six Thangka painting schools.
192 rocerussite 2PbCO3.Pb(OH)2, has been used in paintings since the Antiquity.
193 fic aberrations; and (b) by using chromosome painting so that many more metaphases could be analyzed.
194 ve been identified and delineated by digital painting so that the anatomical components can be visual
195  single nucleotide polymorphisms, chromosome painting, Southern blotting and restriction fragment len
196 g our previously described lipophilic ligand painting strategy, red blood cells (RBCs) could be in on
197 es and then eventually grow within the whole painting stratigraphy as irregularly shaped particles.
198 een in dog-on-human cross-species chromosome-painting studies.
199 ms with art while attending to the layout or painting style, and memory was subsequently tested.
200 with paintings, attending to room layouts or painting styles on different trials during high-resoluti
201 ry hard to detect, but a new chromosome band painting technique has made their detection practical.
202                     In these studies, a cell painting technique was used to introduce PrP(C) to prion
203                This robust novel chromosomal painting technique will have biological applications for
204  chromosomes through a chromosome spread and painting technique.
205 in prion formation was examined using a cell painting technique.
206  permits radiocarbon dates to be obtained on paintings that contain inorganic pigments.
207                                  Removing or painting the antennae did not affect daily activity rhyt
208                                              Painting the remarkable diversity of KChs onto the compl
209                Topical application of TPA by painting the skin on the back of mice raised AP-1 activi
210 ion, topical application of asphalt fumes by painting the tail skin of mice increased AP-1 activity b
211 estructive imaging on an intact 14th century painting (The crucifixion by Puccio Capanna).
212              All animals had epicardial gene painting; the AF group had burst atrial pacing.
213 produced in laboratory animals by repeatedly painting them with coal tar.
214                               We use protein painting to discover contact regions between the three-w
215 ed, allowing the IR radiation emitted by the painting to dominate.
216 ave been unnecessary for him to elongate his paintings to match his perception.
217 nducting polymer dots (Pdots) as an optical 'painting' tool, which enables the selection of certain a
218 ration toward DLN was evaluated by FITC skin painting, transgenic GFP skin tissue grafting, and footp
219                                   Chromosome painting using human chromosome 1 probes identifies a si
220 ation of a yellow lake pigment in a historic painting using SERS as well as the utility of our treatm
221                  Multidirectional chromosome painting, using probes from homologs to chromosome 1 in
222 Heritage that deal, for example, with hidden paintings vandalized with graffiti or covered by superim
223 materials most often found on the surface of paintings: varnishes (natural resins and wax).
224 sample cross-section from a 15th century oil painting was examined by synchrotron X-ray techniques.
225 of ZnSt2 expanding toward the support of the painting were observed and interpreted as the early stag
226  technique, mid-IR emissivity image cubes of paintings were collected at high collection rates with a
227  tissue, to the case of the color palette in paintings, where chromophores have much greater variety.
228 ld under strict museum security and for wall paintings which cannot physically be removed from their
229 sign and execution of experiments using Cell Painting, which is a morphological profiling assay that
230             Finally, a XVIII century italian painting whose the realization technique is unknown, was
231  describe the competing techologies for dose painting with an emphasis on their commonalities.
232 ophenyl Ab-forming cell responses after skin painting with picryl chloride.
233 nomic in situ hybridization (GISH) allowed B painting with the parental DNAs.
234 nking TPA raised AP-1 activity 8.4-fold, and painting with TPA caused a 2.4-fold induction of AP-1 ac
235 ed a 1.2-fold increase in AP-1 activity, but painting with TPA had no effect.
236 roscopy permits nondestructive 3D imaging of paintings with molecular and structural contrast, even f
237 ed a meager tool for the characterization of paintings with paint-layer thicknesses smaller than 50 m
238 tual cross-sectioning capabilities in mockup paintings, with pigment separation and nondestructive im
239 ears, egg white was used to coat and protect paintings without detailed understanding of its molecula
240                 Technical examination of the painting Young Woman Seated at a Virginal by cross secti

WebLSDに未収録の専門用語(用法)は "新規対訳" から投稿できます。
 
Page Top