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1 te of tissue vibration in the sound source ("pitch").
2 around a mediolaterally-oriented axis (i.e., pitch).
3 d with different auditory tones (high or low pitch).
4 ticular values of their features (e.g., high pitch).
5 r-normalized relative pitch but not absolute pitch.
6 hell thickness and p the cholesteric helical pitch.
7 is much larger than the filament's intrinsic pitch.
8 ows provide distance cues regardless of head pitch.
9 g impairment in the perception and memory of pitch.
10 cted by both the hole diameter and the array pitch.
11  (IHCs) in the newly identified mouse mutant pitch.
12 tion modulates protomer spacing and filament pitch.
13 ch information interferes with perception of pitch.
14 nducing local relaxation of the superhelical pitch.
15 a rotation-coupled sliding along DNA helical pitch.
16  to a tolerance of +/-0.032 nm in the period pitch.
17 nt structure and the macroscopic cholesteric pitch.
18 o and focus on two muscles controlling sound pitch.
19 hat result in superior time encoding for low pitches.
20 wo separate "auditory objects" with distinct pitches.
21 l conductivities for nanomeshes with smaller pitches.
22 m is often carried by instruments with lower pitches.
23 s with balanced harmonic-to-noise ratios and pitches.
24 ol was as follows: slice thickness 0.625 mm, pitch 1.3, gantry rotation 0.6 sec., scanning delay 1-2
25  lithographically defined patterns of narrow pitch (100 or 200 nm).
26          Tails are used by geckos to control pitch [4, 5] and by Anolis lizards to alter direction [6
27  study we examined the effect of static head pitch (-80 to +40 deg; 12 participants) and roll (-40 to
28 ials, including the crafting of a two-minute pitch - a valuable skill for all scientists.
29 sult of mechanical shortening of the helical pitch achieved by imposing a uniform uniaxial strain alo
30 d wookies as they were randomly modulated in pitch, adjusting his voice frequency up or down when the
31 terior temporal and temporoparietal areas in pitch amusia.
32 showed that female' reaction depends on call pitch, an important cue bearing size information.
33 rception with spatial periods of 180 deg for pitch and 360 deg for roll, which we explain is consiste
34 ge shifts in learned vocal features, such as pitch and amplitude, without grossly disrupting the song
35                    The SPs have smaller mode pitch and different (often opposite) rotation velocity c
36 p between the acoustic parameters of vowels (pitch and formants) and cortical activity on a single-tr
37 eport outlines the relationship between core pitch and forward-error correction (FEC).
38 ion at these surfaces since both the grating pitch and incident angle can be used to modify the spect
39 the world-contrast and luminance for vision, pitch and intensity for sound-and assemble a stimulus se
40 pace or dot array patterns, depending on the pitch and linewidth of the prepattern.
41 oparticle single helices, varying in helical pitch and nanoparticle dimensions, that is assembled usi
42 ility, sampling structures with superhelical pitch and radius complementary to the major groove of B-
43 tigate the role of the left and right SMG in pitch and rhythm memory in non-musicians.
44     In each session participants completed a pitch and rhythm recognition memory task immediately aft
45                  Parametric analyses of MBEA Pitch and Rhythm scores showed extensive lesion overlap
46 eech (IDS), a communicative code with unique pitch and rhythmic characteristics relative to adult-dir
47 ns in the macaque anterior thalamus tuned to pitch and roll orientation relative to gravity, independ
48 ipants were additionally examined at 180 deg pitch and roll orientations.
49                       Monkey ERPs show early pitch and rule deviant mismatch responses that are strik
50 strate for the first time that both the CLCE pitch and the lasing wavelength are linearly dependent o
51 govern by the nonlinear superposition of the pitch and the number of blade element.
52 the left and right ear that yielded the same pitch and those that received the same frequency allocat
53                                              Pitch and timbre are two crucial aspects of auditory per
54                      SIGNIFICANCE STATEMENT: Pitch and timbre are two crucial aspects of auditory per
55                                              Pitch and timbre are two primary dimensions of auditory
56      This study tested whether variations in pitch and timbre elicit activity in distinct regions of
57                          While variations in pitch and timbre may negatively affect CI users' speech
58  synthesized pairs of voices that changed in pitch and timbre over random, intertwined trajectories,
59                                              Pitch and timbre variations perceptually interfered with
60 ris), using tone sequences that vary in both pitch and timbre.
61               We presented simultaneous high-pitched and low-pitched tones in an isochronous stream a
62 and aperiodic nanomeshes of the same average pitch, and reduced thermal conductivities for nanomeshes
63  lighting, words independently of volume and pitch, and smells independently of concentration.
64  brief sounds of rising, falling or constant pitches, and in the absence of visual information of the
65 on of acromial edema with incomplete fusion, pitching, and clinical findings was determined in the st
66 oughout the belts on the energy spectrum and pitch angle (angle between the velocity of a particle an
67 ity, instead relying on rapid changes in the pitch angle (wing rotation) at the end of each half-stro
68 uthally around Earth and display a butterfly pitch angle distribution of a minimum at 90 degrees furt
69 olution observation that a unusual butterfly pitch angle distribution of relativistic electrons occur
70 x evolution both in the energy and butterfly pitch angle distribution.
71        Our results indicate that the helical pitch angle of MreB inversely correlates with the cell d
72 ned with weak, but persistent, wave-particle pitch angle scattering deep inside the Earth's plasmasph
73 ng of the evolution of the electron flux and pitch angle show that electromagnetic ion cyclotron wave
74 e further probe the net collagen alpha-helix pitch angle within the gel mixtures using what is believ
75 han the commonly assumed isotropic) electron pitch-angle distributions, and we suggest that new model
76                                The extracted pitch angles are consistent with those of peptide models
77  humans, are strongly biased to use absolute pitch (AP) in melody recognition.
78                                     Absolute pitch (AP) refers to the rare ability to identify the ch
79 ies-their ability to tell two tones close in pitch apart.
80 nition can generalize even in the absence of pitch, as long as the spectral shapes of the constituent
81 ctral coding is sufficient to elicit complex pitch at high frequencies has important implications for
82 gate the individual role of pillar structure pitch at millimeter scale, named as module wavelength, o
83 rstood rotational mechanisms that occur when pitching at the end of each half-stroke.
84 rtia about the roll and yaw axes but not the pitch axis.
85                             When cholesteric pitch becomes short on the confinement scale, the knotte
86                       Cochlear filtering and pitch both play key roles in our ability to parse the au
87 oreover, by designing surfaces with variable pitch but constant nanocrater dimensions, we were able t
88 ght STG induced "music arrest" and errors in pitch but did not affect language processing.
89  the encoding of speaker-normalized relative pitch but not absolute pitch.
90 lel to the helical axis and thus changes the pitch but preserves the single-harmonic structure.
91  X-ray structure reveals it to be a strongly pitched, C3-symmetric, molecular propeller.
92                 We also show that nanocrater pitch can disrupt the formation of mature focal adhesion
93 flippers to perform maneuvers such as rolls, pitch changes and turns [1].
94 h autism have enhanced neural sensitivity to pitch changes in nonspeech stimuli but not to lexical to
95 estern music, melody is commonly conveyed by pitch changes in the highest-register voice, whereas met
96 st that the two dimensions of musical pitch, pitch class and pitch height, are mapped to the hue-satu
97 onic pitch classes that referred to the same pitch class with a different name produced color sensati
98 sensations according to the name of the base pitch class, e.g., a reddish color for do-sharp and a ye
99                                              Pitch class-color synesthesia represents a newly describ
100 ue/brightness) in 15 subjects who possessed "pitch class-color synesthesia".
101                          We investigated how pitch classes (do, re, mi, etc.) are associated with the
102 t averaging of reported colors revealed that pitch classes have rainbow hues, beginning with do-red,
103                                   Enharmonic pitch classes that referred to the same pitch class with
104            Finally, an efficient uniform CNN pitch classification model for all five types of sample
105 accuracy rates of the SVM and CNN models for pitch classification were approximately 90% and were hig
106       The two primary theories of peripheral pitch coding involve stimulus-driven spike timing, or ph
107 ver, it remains possible that impairments in pitch coding within auditory cortex also contribute to t
108 us intracerebral haemorrhage enrolled in the PITCH cohort between Nov 3, 2004 and March 29, 2009, we
109  the Prognosis of Intracerebral Haemorrhage (PITCH) cohort who were admitted to Lille University Hosp
110  encases ssDNA in a helical filament of 103A pitch, comprising 6.4 protomers per turn, with a rise of
111 g their finger to be longer after the rising pitch condition.
112 mechanism by which WASP stimulates the short-pitch conformation and activates Arp2/3 complex.
113 ast Arp2/3 complex held in or near the short-pitch conformation by an engineered covalent cross-link
114  data indicate that stimulation of the short-pitch conformation is the critical activating function o
115 rophobic groove, thereby promoting the short-pitch conformation.
116 ow WASP stimulates movement toward the short-pitch conformation.
117 ates movement of Arp2 and Arp3 into a "short-pitch" conformation that mimics the arrangement of actin
118  Arp3 into an activated filament-like (short pitch) conformation.
119  masks the activating potential of the short-pitch conformational switch.
120 muli that gradually varied in their prosodic pitch contour (between statement and question) involved
121 ned to sentences that varied in intonational pitch contour, phonetic content, and speaker.
122                                            A pitch count of more than 100 pitches per week was shown
123 due to the lack of lexically important voice pitch cues and perhaps other qualities associated with w
124 enge conventional views regarding the use of pitch cues in nonhuman auditory sequence recognition.
125                                       In the pitch-detection task, the pitch deviants evoked an ERAN
126             In the click-detection task, the pitch deviants evoked an early right anterior negativity
127             In the pitch-detection task, the pitch deviants evoked an ERAN and P600 in controls but n
128 en's Mismatch Responses (MMRs) to equivalent pitch deviations representing within-category and betwee
129 rlying concurrent sound segregation based on pitch differences are poorly understood.
130 roached regarding its profile of musical and pitch difficulties.
131  grating structures in BCP films with a half-pitch dimension of 9.3 nm.
132 Here, we assessed 918 healthy volunteers for pitch discrimination abilities-their ability to tell two
133 out the use of timing information, we tested pitch discrimination of very high-frequency tones (>8 kH
134         Human listeners performed a syllable pitch discrimination task where two syllables served as
135 ce locations on a 4 x 4 raster array (50 mum pitch distance, ablation crater diameter of approximatel
136 d provide the rat with information about the pitch, distance, and yaw of a surface relative to its he
137 contact of each vibrissa and every possible (pitch, distance, and yaw) configuration of the head rela
138       We find that the presence of a roll or pitch ("distractor") stimulus reduces information transm
139 y in confined spaces of 100 nm diameter with pitch down to 500 nm.
140  convey emotion, such as modulations in base pitch (F0M) and pitch variability (F0SD).
141 ttractive feature of a CLC laser is that the pitch [Formula: see text] and thus the wavelength of las
142 imensionally periodic helical structure with pitch [Formula: see text] in the submicrometer and micro
143           The present study investigated how pitch frequency, a perceptually relevant aspect of perio
144  a handle to systematically tune the helical pitch from 80 to 130 nm; and (ii) influences the size, s
145 as precluded the possibility of dissociating pitch from brightness.
146                                              Pitch governs our perception of musical melodies and har
147                              The next topic, pitch, has been debated for millennia, but recent techni
148      Although cortical regions responsive to pitch have been identified, little is known about how pi
149 he well-known crossmodal association between pitch height and value/brightness.
150 dimensions of musical pitch, pitch class and pitch height, are mapped to the hue-saturation plane and
151 ucleocapsid ring whose diameter, cavity, and pitch/height dimensions agree with EM data from early st
152 tion of HG with neural activity that encodes pitch in natural human voice, distinguishes between self
153                  We take this opportunity to pitch in our opinions on tool benchmarking, in light of
154 the RNaseIII domain corresponds to the 21-nt pitch in the A-form duplex of a long dsRNA substrate, re
155  was that nonshifted syllables changed their pitch in the direction opposite from the shifted syllabl
156                               The helicoidal pitch in the NTB phase is 18 nm.
157  despite exhibiting normal fMRI responses to pitch in their auditory cortex: (1) individual neurons w
158 rate can provide cochlear implant users with pitch information adequate for perceiving melodic inform
159 RAN in amusics, suggesting that attending to pitch information interferes with perception of pitch.
160 e been identified, little is known about how pitch information is extracted from the inner ear itself
161 peaking rate, amplitude, duration, and voice pitch information may be quite variable, depending on th
162                           One way to provide pitch information to cochlear implant users is through a
163     Interestingly, the main melody (spectral/pitch information) is most often carried by the highest-
164 tom of assigning rhythmic functions to lower-pitch instruments may have emerged because of fundamenta
165 s.SIGNIFICANCE STATEMENT The question of how pitch is represented in the ear has been debated for ove
166 pain in young patients (< 25 years old), and pitching is a risk factor.
167 imately 15 nm-diameter nanoparticles, 100 nm pitch) is decorated by a model molecular system, consist
168                       Moreover, performing a pitch-judgment task eliminated the ERAN in amusics, sugg
169 ve rather than perceptual processes, namely "pitch labeling" mechanisms, more likely constitute the b
170 , namely early "categorical perception" and "pitch labeling".
171 istics of CIM carbon prepared from mesophase pitch lead to outstanding performance of these sensors,
172  thickness, surface anchoring condition, and pitch length.
173              Similar results are shown for a pitching maneuver.
174  modelling suggests that changes in filament pitch mask or expose one binding site with filament-inhi
175             To investigate this possibility, pitch matching was conducted with 16 bilateral CI patien
176 ween sung speech with a constant or variable pitch; mean performance was better with CI-only relative
177                  By changing the cholesteric pitch, mechanical compression provides tuning of the las
178 ibits all of the primary features of central pitch mechanisms demonstrated in humans.
179 revealed several primary features of central pitch mechanisms.
180                A significant facilitation of pitch memory was revealed when anodal stimulation was ap
181                    No significant effects on pitch memory were found for anodal tDCS over the right S
182 ce of the left supramarginal gyrus (SMG) for pitch memory.
183                                         This pitch mismatch may be related to degraded binaural abili
184 eld the same perceived pitch, resulting in a pitch mismatch.
185  goal of this study was to determine whether pitch mismatches are prevalent in bilateral CI patients,
186                     The results suggest that pitch mismatches are prevalent with bilateral CI users.
187                                              Pitch mismatches have been found for some bilateral CI u
188              The results also indicated that pitch mismatches persist even with extended bilateral CI
189 o corral prey [4,5] or to generate an upward pitching moment to counteract the torque caused by rapid
190 emonstrated that the auditory cortex encodes pitch more robustly in the higher of two simultaneous to
191 s information may be used to influence vocal pitch motor control.
192                            Listeners extract pitch movements from speech and evaluate the shape of in
193 tic afferent terminals is greatly reduced in pitch mutants.
194  backscattering effect by comparing variable-pitch nanomeshes.
195 anomesh geometrical features (pore diameter, pitch, neck) was achieved through the alumina template,
196 ies, while delivering a significantly higher pitch-normalized current density-above 0.9 milliampere p
197 ide-semiconductor compatible, have a minimum pitch of 200 nm and can be fabricated with a single lith
198 y the underlying movements (for example, the pitch of a note or velocity of a reach) to improve outco
199 cate that the single helices have a periodic pitch of approximately 100 nm and consist of oblong gold
200 llow cylinder that extends by increasing the pitch of each spectrin repeat, which decreases the inter
201                        The perception of the pitch of harmonic complex sounds is a crucial function o
202 one is dominated by resolved harmonics; (ii) pitch of resolved harmonics is sensitive to the quality
203 rrays with a periodicity that matches half a pitch of the cholesteric phase.
204 - or right-handed twist without changing the pitch of the formed helix.
205  further demonstrate that by controlling the pitch of the nanoslit arrays, it is possible to achieve
206 w band gap can be controlled by the size and pitch of the quantum dots in the superlattice.
207 ith polyheterotopic linkers, and second, the pitch of the resulting helical SBUs may be fine-tuned ba
208                                       As the pitch of the spiral order varies across the 3d transitio
209  rows provide information about the relative pitch of the surface regardless of distance.
210 e quality of spectral harmonicity; and (iii) pitch of unresolved harmonics is sensitive to the salien
211                                              Pitches of the concurrent HCTs could also be temporally
212 s, we manipulated the fundamental frequency (pitch) of auditory feedback in Bengalese finches (Lonchu
213                          The effects of head pitch on vertigo and previously reported nystagmus are c
214 opening up possibilities for half-wavelength-pitch optical-phased arrays and ultra-dense space-divisi
215  whether two sequential tones share the same pitch or location depending on the block's instruction.
216 nces were interspersed with infrequent voice pitch or non-adjacent rule deviants.
217 cal regions most responsive to variations in pitch or timbre at the univariate level of analysis were
218 ind that small manipulations altering either pitch or timbre independently can drive melody recogniti
219 ant attribute of timbre), with the degree of pitch or timbre variation in each sequence parametricall
220 wever, patterns of activation in response to pitch or timbre variations were discriminable in most su
221 ical regions responsive to changes in either pitch or timbre, but also reveal a population code that
222 rent brain regions preferentially coding for pitch or timbre, whereas other studies have suggested a
223 were identical along the dimension of either pitch or timbre, while the perceptual distances along bo
224  fundamental frequency (eliciting changes in pitch) or spectral centroid (eliciting changes in bright
225  one of three dimensions: auditory location, pitch, or visual brightness.
226 superoinferior direction and 7.21 degrees in pitch orientation.
227 n based on discrete measurements of the body-pitch orientation.
228 anteroposterior direction and 2.6 degrees in pitch orientation.
229 dicated that this high-voice superiority for pitch originates in the sensory periphery.
230               A pitch count of more than 100 pitches per week was shown to be a risk factor for acrom
231 ing simultaneously may differ in their voice pitch, perceiving the harmonic structure of sounds is ve
232         Whether the underlying mechanisms of pitch perception are unique to humans, however, is unkno
233 e that amusic individuals with a substantial pitch perception deficit exhibit clusters of pitch-respo
234 from the cortical regions most implicated in pitch perception in normal individuals.
235 ssumption that poor high-frequency pure-tone pitch perception is the result of peripheral neural-codi
236 gest a candidate neural code underlying rate-pitch perception limitations often observed in CI users.
237 Thus, marmosets and humans may share similar pitch perception mechanisms, suggesting that these mecha
238 tion by AM rate was correlated with dominant pitch percepts in AMWN in many regions.
239 zed vowel sounds and received brief (200 ms) pitch perturbations at 100 Cents in their auditory feedb
240 that process natural human vocalizations and pitch perturbations in the auditory feedback.
241 mpensations in response to auditory feedback pitch perturbations.
242 s suggest that the two dimensions of musical pitch, pitch class and pitch height, are mapped to the h
243                           Photomodulation of pitch, polarization, lattice constant and handedness inv
244  ERP study investigated whether the distinct pitch processing pattern for speech and nonspeech stimul
245 age or tonal foreign language, which rely on pitch processing.
246  CT angiography (CTA) obtained by using high-pitch prospectively ECG-gated "Flash Spiral" technique (
247 ation contours independent of each speaker's pitch range.
248 favour the migration of cells towards higher-pitched regions, which present increased planar area for
249                  These results indicate that pitch regularities are represented in the cortex of amus
250  correlates with performance on a concurrent pitch-related behavioral task.
251  why amusics might be impaired at perceiving pitch relations despite exhibiting normal fMRI responses
252 altered, and (3) cortical regions outside of pitch-responsive cortex might be abnormal.
253 ry cortex: (1) individual neurons within the pitch-responsive region might exhibit abnormal tuning or
254                      The ability to identify pitch-responsive regions in individual amusic subjects w
255 a stimulus contrast that reliably identifies pitch-responsive regions in normal individuals: harmonic
256 e with fMRI, (2) anatomical tracts that link pitch-responsive regions to other brain areas (e.g., fro
257 pitch perception deficit exhibit clusters of pitch-responsive voxels that are comparable in extent, s
258 ght ear that do not yield the same perceived pitch, resulting in a pitch mismatch.
259 esses of 6 and 4 mm, arranged with a 1.27-mm pitch, resulting in a useable field of view 28 mm long a
260                                            A pitch segmentation recognition method combined with diff
261 alculation speeds for recognizing all of the pitches segmented from a single sample image.
262 results are consistent with the existence of pitch-sensitive neurons that rely only on place-based in
263   In contrast, when this response followed a pitch shift, its magnitude was significantly enhanced du
264 ally likely to report an upward or downward 'pitch' shift between tones.
265 s hypothesized, error-corrective learning on pitch-shifted vocal gestures generalized to the same ges
266 ral HG, the power of high gamma responses to pitch shifts correlated with the magnitude of compensato
267 er study in the context of a pre-hospital or pitch-side test to detect brain injury.
268 haracterized for the ability to discriminate pitch (SP), duration (ST) and sound patterns (KMT), whic
269 microelectrode signature has been found at a pitch spacing of 60mum.
270 prospectively evaluated and underwent a high-pitch spiral acquisition CT scan.
271                   It has been shown that (i) pitch strength of a harmonic tone is dominated by resolv
272 r signal-to-noise ratios as well as a higher pitch strength representation of the periodic part of th
273 d triplets of high-low-high (H-L-H) or L-H-L pitch structure: proximity deviant (H-H-H/L-L-L), revers
274         Despite the perceptual importance of pitch, the neural mechanisms that underlie it remain poo
275                                              Pitch, the perceptual correlate of sound repetition rate
276 ture and material properties such as helical pitch, the twist elastic constant, and the interfacial t
277 ed three key domains of auditory processing (pitch, timing and timbre) in a consecutive series of 18
278 l human languages regularly use intonational pitch to convey linguistic meaning, such as to emphasize
279 ll-documented capacity of dynamic changes in pitch to elicit impressions of motion along the vertical
280 be formed under the condition of a low teeth pitch to gap distance ratio.
281          Using these values we predict sound pitch to range from 350-800 Hz by VS modulation, corresp
282  presented simultaneous high-pitched and low-pitched tones in an isochronous stream and occasionally
283 e four fingers (one sequence had four higher-pitched tones).
284 wo deviants, they contain no low-probability pitch transitions.
285             Using an auditory stimulus whose pitch value changed according to specific rules, we cont
286 L) to fabricate gratings possessing multiple pitch values by subjecting photoresist-coated glass slid
287 on gratings possessing multiple simultaneous pitch values for surface enhanced infrared absorption (S
288  such as modulations in base pitch (F0M) and pitch variability (F0SD).
289 esolution alone may be sufficient to restore pitch via such implants.
290 mation) is most often carried by the highest-pitched voice, and the rhythm (temporal foundation) is m
291 ation) is most often laid down by the lowest-pitched voice.
292     Vertigo was most discomforting when head pitch was around 60 deg extension and was mildest when i
293 tion was measured using sung speech in which pitch was held constant or varied across words, as well
294 of 60 nm and spiral inductor coils of micron pitch we realize microwave resonant circuits with large
295 noscale craters of various aspect ratios and pitches, we show that the surfaces altered the cells' fo
296 terior HC and was only sensitive to vertical pitch, which could reflect the importance of the vertica
297 fforded by the CI limits perception of voice pitch, which is an important cue for speech prosody and
298 y waveguide integration at a half-wavelength pitch with low crosstalk.
299 he chroma of a tone or to produce a specific pitch without reference to keyality (e.g., G or C).
300 plore their visual environment with a series pitch, yaw and torsional (roll) rotations of their eyes,

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