ライフサイエンスコーパス: painting

1 ic T cells via protein transfer (or protein "painting").

2 cleotide-based haplotype-specific chromosome painting.

3 paints as well as an actual 18th century oil painting.

4 ingle microscopic sample from a historic oil painting.

5 ced in female recipient mice by Y chromosome painting.

6 of the materials and techniques used in the painting.

7 y with human has been revealed by chromosome painting.

8 -deficient juveniles are suppressed by ESP22 painting.

9 ormation critical to the interpretation of a painting.

10 ytogenetic level by cross species chromosome painting.

11 g paint samples collected from a Baroque oil painting.

12 now be seen with the technique of chromosome painting.

13 , DNase I) digestion, followed by chromosome painting.

14 particular, at the (top) surface of the copy painting.

15 radiotherapy personalization, including dose painting.

16 a technique that we named as cavitation dose painting.

17 low the model to accommodate photography and painting.

18 ting can be used as a proxy for the age of a painting.

19 ra at each pixel in the image for the entire painting.

20 BI using a newly developed technique, vessel painting.

21 ated and thus consumed in the cave under the paintings.

22 fractal analysis can be used to authenticate paintings.

23 ause of water sensitivity in some modern oil paintings.

24 ve red lake pigments that have faded in some paintings.

25 ion of heterogeneous complex systems such as paintings.

26 degrees C can occur, which is a problem for paintings.

27 tection of gum arabic in samples from a late painting (1949/1954) by Georges Braque in the collection

28 nish artist Diego Velazquez created a puzzle-painting 360 years ago that to this day remains unsolved

29 The early results are painting a detailed portrait of cancer that illustrates

30 Painting a glass slide with branched or linear N,N-dodec

31 lution access to both sides were obtained by painting a phospholipid:decane mixture across a cylindri

32 ctions involved in poly(A) site recognition, painting a picture more complex than previously envision

33 es to metacognitive decision-making, thereby painting a picture of metacognition as a process that in

34 entrations of >=500 pg m(-3) within hours of painting a room.

35 ly by solution-casting the ECL gel and brush-painting a top Ag electrode.

36 esponse monitoring or radiation therapy dose painting, accurate quantification of tracer uptake at th

37 Later paintings, achieved when AA was nearly mute, moved towar

38 de Heem (1606-1684) and one copy painting after De Heem by an unknown artist.

39 e nature and distribution of Zn soaps in the painting Alchemy by J.

40 Chromosome painting allows the visualization of individual chromoso

41 In artistic oil paintings, ambient moisture and water and organic solven

42 o the study of nucleic acid translocases are painting an increasingly sharp picture of the inner work

43 Finally, karyotype and chromosome painting analyses showed no evidence for TCR gene transl

44 e number observed with reciprocal chromosome painting analyses.

45 We conducted comparative chromosome painting analysis in six different Citrus and related sp

46 zygotes by using a combination of chromosome painting and 4',6-diamidino-2-phenylindole staining.

47 placing a highly reflective tube between the painting and camera and introducing a low temperature so

48 Comparative chromosome painting and cytogenetic mapping of 15 zebra finch BAC c

49 with N-nitroso-tris-chloroethylurea by skin painting and found that this regimen induced lung SCCs i

50 en and turkey based on reciprocal chromosome painting and mapping of 338 chicken BACs to turkey metap

51 ive genomic hybridisation, SNP arrays, array painting and next-generation sequencing analytical metho

52 e production technology of an 1,800-year-old painting and one of the oldest surviving encaustic ("bur

53 ts cannot be compared to the masterpieces of painting and sculpture of the macroscopic world, but the

54 technological processes, including printing, painting and spraying.

55 FITC/DNFB skin painting and subsequent enzyme-linked immunospot assay d

56 ined twice more fluorescence after FITC skin painting and twice more donor DC after footpad injection

57 vities involving solvent exposure, including painting and use of solvents for cleaning, were associat

58 provided a blood sample for whole chromosome painting and were interviewed about past X-ray examinati

59 ibes were analyzed by comparative chromosome painting and/or whole-transcriptome analysis of gene age

60 , which are frequently found in artistic oil paintings and are associated with the widespread heavy m

61 relating to the patient and the viewer, the paintings and drawings are considered in relation to the

62 or authenticating works of art, specifically paintings and drawings, from high-resolution digital sca

63 ve been used as textile dyes and pigments in paintings and other polychrome works of art since antiqu

64 Despite their widespread occurrence in paintings and the growing interest of the scientific com

65 iated with significant numbers of modern oil paintings and this study aimed to further develop our un

66 require additional radiation doses (ie, dose painting) and from treatment adaptation tracing changes

67 luorescent in situ hybridization (chromosome painting) and image analysis.

68 comparative chromosomal banding, chromosome painting, and gene-order studies have shown strong conse

69 using glufosinate herbicide, hygromycin leaf painting, and multiplex polymerase chain reaction (PCR).

70 nzene, gasoline, motor vehicle-related jobs, painting, and rubber solvents.

71 The story of these paintings, and another called Goldfish, illuminates comm

72 roblems involving preservation of pavements, paintings, and historical monuments, mineral-fluid inter

73 , we have developed two different chromosome-painting approaches to address how chromosome territorie

74 emonstrate how residues predicted by protein painting are present exclusively in the complex interfac

75 the contentions that Jackson Pollock's drip paintings are fractals produced by the artist's Levy dis

76 The process by which art paintings are produced typically involves the successive

77 y, this study confirms that the Chauvet cave paintings are the oldest and the most elaborate ever dis

78 Here we introduce protein painting as a new tool that employs small molecules as m

79 While not authenticating the painting as being by Vermeer, the results provide furthe

80 cDNA constructs, via a microscopy-based Cell Painting assay.

81 llular morphology via an imaging-based "cell painting" assay.

82 ter simulations show Degas' own view of this painting at each of these times and demonstrate how his

83 Participants viewed rooms with paintings, attending to room layouts or painting styles

84 er of artists that may have contributed to a painting attributed to Pietro Perugino and again achieve

85 Biologically conformal radiotherapy (dose painting) based on molecular imaging-assessed tumor hete

86 A comprehensive analysis shows that Cell Painting-based bioactivity prediction is robust across a

87 nt the first report of reciprocal chromosome painting between humans and a rodent.

88 ignificantly attained regardless of the used painting binders.

89 sing either the test painting or the mock-up painting both measured with a table-top micro-XRF setup.

90 tal spectroscopy were used to characterize a painting by Cosimo Tura.

91 In this protocol, we describe array painting by isolation of derivative chromosomes using a

92 Dose-painting by numbers is a strategy by which the dose dist

93 cal cross section from an early 20th century painting by Piet Mondrian.

94 Paintings by Edward Hopper (1940s and '50s) foretell the

95 s paper we have shown how cadmium sulfide on paintings by James Ensor oxidizes to CdSO(4).H(2)O.

96 three 17th century still life paintings, two paintings by Jan Davidsz.

97 wo "representative studies" that manipulated paintings by Mondrian, those studies seemingly, "fail[in

98 Microsamples collected on 27 major paintings by Old European Masters dating from the 14th t

99 Paintings by the artists Edvard Munch and John Singer Sa

100 subjects to assign abstract/representational paintings by the same artist to a situation that was tem

101 rpose, three microsamples from two varnished paintings by Van Gogh and a waxed low relief by Gauguin

102 her technical and art historical findings on paintings by Vermeer and other Dutch 17th century artist

103 is known to affect the appearance of several paintings by Vincent van Gogh.

104 CrO(4) and PbCr(1-x)S(x)O(4)) are present in paintings by Vincent van Gogh.

105 e earliest possible date of realization of a painting, called the terminus post quem, is based on the

106 carbon has been used as a black material for paintings, camouflage, and optics.

107 KEY POINTS: Just as a portrait painting can come from a collection of coarse and fine d

108 Inferred painting can often determine the chromosomal homologous

109 or that perhaps Neandertals also engaged in painting caves.

110 The feasibility of "painting" cells with preformed conjugates of a murine B7

111 In array painting, chromosomes are isolated by flow cytometry, am

112 perators (OR 1.2 [95% CI 1.0-1.4]), and hand painting, coating, and decorating occupations (OR 1.8 [9

113 Array painting combines the isolation of derivative chromosome

114 The layering structure of a painting contains a wealth of information about the arti

115 synthase gene are congruent with comparative painting data and place Calepina, Conringia, and Sisymbr

116 le mammalian species coupled with chromosome-painting data provide a powerful resource for resolving

117 gene and BAC maps, in addition to chromosome painting data.

118 sed visible deterioration in hundreds of oil paintings dating from the 15th century to the present.

119 umber is constant and comparative chromosome painting demonstrated there to be very few interchromoso

120 llow-orange/pale yellow areas of 12 Van Gogh paintings, demonstrating that Van Gogh effectively made

121 recent developments of multicolor chromosome painting, describe applications in basic chromosome rese

122 This painting differs from the Ensor case in the fact that (a

123 tological staining, cross-species chromosome painting, DNA probe analyses, and scanning electron micr

124 Using five administration methods (painting, drinking, gavage feeding, i.p. injection, and

125 kinases in the skin increased at 12 h after painting, drinking, or i.p. injection of TPA.

126 ot detectable after administration of TPA by painting, drinking, or injection.

127 -L1 interface regions identified via protein painting effectively disrupted complex formation, with t

128 hed prerequisites for comparative chromosome painting enable future studies on the chromosome homoeol

129 he powerful illusory motion perceived in the painting Enigma, created by op-artist Isia Leviant.

130 We find that the paintings exhibit fractal characteristics over too small

131 re confirmed in new cross-species chromosome-painting experiments (dog-on-human, fox-on-human).

132 garette smoke and its constituents grew from painting experiments on the skin of mice to produce papi

133 s from this method with data from chromosome painting experiments to produce a map of an early mammal

134 aryotype analysis via comparative chromosome painting experiments.

135 ization of a novel dye probe used in protein painting, Fast Blue B + naphthionic acid, and show that

136 Here, we study cadmium yellow in the painting "Flowers in a blue vase" by Vincent van Gogh.

137 olecular imaging for tumor delineation, dose painting for dose escalation, dose adaptation throughout

138 make it necessary to model the spatial dose painting for specific neuronal components.

139 Paintings from AA's artistic peak revealed her capacity

140 ological objects, polychrome sculptures, and paintings from samples smaller than 25 microm in diamete

141 erial artificial chromosome-based chromosome painting, genomic in situ hybridization, and multi-gene

142 Inferred painting greatly reduces the need to map entire genomes

143 Recent studies using chromosome painting have helped to identify DNA double-strand-break

144 distribution is key to understanding how his paintings have changed with time.

145 HDM was applied epicutaneously by painting HDM on unmanipulated ear skin or under an occlu

146 However the three paintings he produced - Philosophy, Medicine and Jurispr

147 or on-site analysis, especially for valuable paintings held under strict museum security and for wall

148 omologue positions, and human-cat chromosome painting homologies.

149 Breakpoints were mapped using array painting, i.e., hybridization of chromosomes isolated by

150 Additionally, chromosomal painting identified nuclei from female DCs, previously i

151 Moreover, after IMQ-painting, IL-23 was exclusively produced by Langerin(neg

152 A newer concept of dose-painting IMRT is aimed at exploiting inhomogeneous dose

153 anesthesia in tetralogy of Fallot, 3.6%; 3) painting in atrioventricular septal defect with Down syn

154 ondarily generated tissue using Y chromosome painting in chimaeric mice indicates that once different

155 Chromosome painting in placental mammalians illustrates that genome

156 the oldest surviving encaustic ("burned in") paintings in the world.

157 echnique to characterize microsamples from a painting, in conjunction with analyses by gas chromatogr

158 mechanisms of inorganic artists' pigments in paintings, including chrome yellows (PbCr(1-x)S(x)O(4);

159 gnificantly more often than representational paintings, indicating that abstract art was evocative of

160 Cross-species chromosome painting is a powerful technique for establishing chromo

161 Array painting is a technique that uses microarray technology

162 The painting is an eye chart of his career.

163 d produces good quality data; however, array painting is equally achievable using any combination of

164 re the protocol for cross-species chromosome painting is presented.

165 est in work of art, in particular in tempera paintings, is presented.

166 photocolorimetry analysis evidenced that the painting layers were not damaged or altered because of c

167 he layer structure of the 17th century easel painting Madonna in Preghiera by the workshop of Giovann

168 sensitivity of each class of pigment in the painting matrix is therefore required to find analytical

169 Using the painting method, we modified the atrial phenotype with a

170 ransmural atrial gene transfer by this novel painting method.

171 up of medulloblastoma with SUFU alterations, painting more nuanced roles for SUFU in tumorigenesis an

172 ause cellular damage produces bioactive cell painting morphologies, including cytoskeletal poisons, g

173 the rearrangements visualized by chromosome painting, mostly translocations, are only a fraction of

174 s to the thymus in parabiotic mice and after painting mouse skin with fluorescein isothiocyanate.

175 were measured with 24-color whole-chromosome painting (multiplex FISH), after damage to interphase ly

176 l evidence for the dating of the cave temple paintings, narrowing it down to the late twelfth century

177 of wheeze for farm activities were for daily painting (odds ratio = 1.82; 95% confidence interval = 0

178 icated on an A4-size paper by applying brush painting of a concentrated graphene ink (10 mg mL(-1), i

179 Rembrandt's striking painting of a human brain being dissected by a headless

180 Painting of dog chromosomes with a human whole chromosom

181 Li-ion batteries solely by multi-step spray painting of its components on a variety of materials suc

182 confirmed a progenitor source and chromosome painting of labelled donor cells revealed transdifferent

183 and extension of the Omics Viewer to support painting of metabolites, animations and zooming to indiv

184 Painting of pachytene chromosomes of Calepina, Conringia

185 Chromosome painting of SWS620 mutants revealed that the loss of APR

186 We present a comprehensive analysis by array painting of the chromosome translocations of breast canc

187 g cells in regional lymph nodes after hapten painting of the skin.

188 protein materials, natural resins etc.) from paintings of historical and artistic interest.

189 prepared in the lab, and real samples, from paintings of the XVIII-XX century.

190 Such protein engineering or "painting" of the cell surface offers several advantages

191 ped features include whole genome displays, 'painting' of genes according to properties such as GC co

192 dodecyl,methyl-polyethylenimine and coating (painting) of glass slides with this polycation's butanol

193 Chemical transformations in paintings often induce discolorations, disturbing the ap

194 he orange-gray crust that is disfiguring the painting on a macroscopic level.

195 c compounds commonly emitted from automotive painting operations were experimentally studied.

196 compounds typically emitted from automobile painting operations.

197 ry (OR = 4.52, 95 percent CI 2.27-8.97), and painting or paint manufacturing (OR = 2.87, 95 percent C

198 p of these shaped apertures, either with the painting or the folding method, display drastically incr

199 thodology was verified using either the test painting or the mock-up painting both measured with a ta

200 It is commonly seen in dehydrated paintings or asphalt pavements and even in graphene or o

201 Animals underwent vessel painting perfusion to label the entire cortex at 1 day p

202 in humans showing that subjective values of painting pictures, as expressed in explicit pleasantness

203 company (a favor) increases the valuation of paintings placed next to the sponsoring corporate logo,

204 The painting poses a difficult challenge to conventional X-r

205 A painting possibly representing the flowers of Datura on

206 ing a chromosome 5-specific whole chromosome painting probe and a 5q subtelomeric probe to determine

207 We found that each painting probe hybridized to only a single chromosome in

208 The bovine Xp painting probe identified an interstitially located homo

209 dization (FISH) analyses with a chromosome 6 painting probe.

210 The chromosome painting probes and molecular markers generated in this

211 These painting probes and their corresponding DNA libraries we

212 ve developed a complete set of 19 chromosome painting probes based on the reference genome of the mod

213 zation (FISH) with mouse chromosome specific painting probes can complement conventional banding anal

214 e developed oligonucleotide-based chromosome painting probes for all nine chromosomes in Citrus maxim

215 We have developed bovine chromosome painting probes for Xp and Xq to assess segment homologi

216 on to human chromosome-specific probe pools, painting probes have become available for an increasing

217 tion of 24 fluorescently labelled chromosome painting probes that allows the simultaneous and differe

218 ation of 24 fluorescently labeled chromosome painting probes to metaphase spreads in such a manner th

219 Whole-chromosome painting probes were developed for each of the 10 chromo

220 zation of combinatorially labeled chromosome-painting probes with unique fluorochrome signatures onto

221 ryotype analysis, a pool of human chromosome painting probes, each labelled with a different fluor co

222 taneous hybridization of multiple chromosome painting probes, each tagged with a specific fluorochrom

223 fluorescence in situ hybridization with the painting probes.

224 ith differentially labelled mouse chromosome painting probes.

225 using bidirectional heterologous chromosome painting (reciprocal Zoo-FISH) analysis.

226 Chromosome 'painting' refers to the hybridization of fluorescently l

227 Dose painting relies on biologic imaging such as positron emi

228 a was ingested in the cave and that the rock painting represents the plant itself, serving to codify

229 and those directly obtained from the Chauvet paintings reveal that the "vulvar" representations from

230 , although karyotype analysis and chromosome painting revealed the consistent presence of a submetace

231 Chromosome painting revealed the distribution of transposable eleme

232 tion state of irreplaceable 20th century oil paintings, revealing the chemical distribution of Zn soa

233 Chromosome painting reveals that these X and Y chromosomes contain

234 e thorough identification and mapping of the painting's constituent organic and inorganic materials,

235 de a global and detailed account of an easel painting's stratigraphy by exploiting the sparse deconvo

236 A remarkable oil painting, Scene from the Steeplechase: The Fallen Jockey

237 participants, were enrolled from six Thangka painting schools.

238 rocerussite 2PbCO3.Pb(OH)2, has been used in paintings since the Antiquity.

239 fic aberrations; and (b) by using chromosome painting so that many more metaphases could be analyzed.

240 ve been identified and delineated by digital painting so that the anatomical components can be visual

241 single nucleotide polymorphisms, chromosome painting, Southern blotting and restriction fragment len

242 phA4fl/fl/VeCahderin-CreERT2 mice and vessel painting strategies, implicated EphA4 receptor tyrosine

243 different Carnivora species using chromosome painting strategies.

244 g our previously described lipophilic ligand painting strategy, red blood cells (RBCs) could be in on

245 es and then eventually grow within the whole painting stratigraphy as irregularly shaped particles.

246 een in dog-on-human cross-species chromosome-painting studies.

247 ms with art while attending to the layout or painting style, and memory was subsequently tested.

248 with paintings, attending to room layouts or painting styles on different trials during high-resoluti

249 In a virtual painting task, participants indicated which surface ridg

250 ry hard to detect, but a new chromosome band painting technique has made their detection practical.

251 This PCI-based cavitation dose painting technique in combination with FUS-BBBD opens ne

252 In these studies, a cell painting technique was used to introduce PrP(C) to prion

253 This robust novel chromosomal painting technique will have biological applications for

254 In mouse models, using an ex vivo tumor painting technique, we show that DDAO arachidonate activ

255 chromosomes through a chromosome spread and painting technique.

256 in prion formation was examined using a cell painting technique.

257 story of the transfer of Vietnamese lacquer painting techniques to Europe.

258 permits radiocarbon dates to be obtained on paintings that contain inorganic pigments.

259 Removing or painting the antennae did not affect daily activity rhyt

260 Painting the remarkable diversity of KChs onto the compl

261 Topical application of TPA by painting the skin on the back of mice raised AP-1 activi

262 ion, topical application of asphalt fumes by painting the tail skin of mice increased AP-1 activity b

263 estructive imaging on an intact 14th century painting (The crucifixion by Puccio Capanna).

264 All animals had epicardial gene painting; the AF group had burst atrial pacing.

265 produced in laboratory animals by repeatedly painting them with coal tar.

266 We use protein painting to discover contact regions between the three-w

267 ed, allowing the IR radiation emitted by the painting to dominate.

268 We used comparative chromosome painting to identify the extent of chromosomal collinear

269 ave been unnecessary for him to elongate his paintings to match his perception.

270 nducting polymer dots (Pdots) as an optical 'painting' tool, which enables the selection of certain a

271 ration toward DLN was evaluated by FITC skin painting, transgenic GFP skin tissue grafting, and footp

272 he analysis of three 17th century still life paintings, two paintings by Jan Davidsz.

273 cial chromosome-based comparative chromosome painting uncovered a constancy of genome structures amon

274 Chromosome painting using human chromosome 1 probes identifies a si

275 ation of a yellow lake pigment in a historic painting using SERS as well as the utility of our treatm

276 Multidirectional chromosome painting, using probes from homologs to chromosome 1 in

277 Heritage that deal, for example, with hidden paintings vandalized with graffiti or covered by superim

278 materials most often found on the surface of paintings: varnishes (natural resins and wax).

279 Hand painting was employed to fabricate a silver conductive l

280 sample cross-section from a 15th century oil painting was examined by synchrotron X-ray techniques.

281 ylogenomic analyses and in silico chromosome painting, we show that each oak strain is more closely r

282 of ZnSt2 expanding toward the support of the painting were observed and interpreted as the early stag

283 ss three experiments, we found that abstract paintings were assigned to the distant situation signifi

284 technique, mid-IR emissivity image cubes of paintings were collected at high collection rates with a

285 rone to degrade, discoloring and disfiguring paintings where they have been used.

286 tissue, to the case of the color palette in paintings, where chromophores have much greater variety.

287 ld under strict museum security and for wall paintings which cannot physically be removed from their

288 sign and execution of experiments using Cell Painting, which is a morphological profiling assay that

289 Finally, a XVIII century italian painting whose the realization technique is unknown, was

290 describe the competing techologies for dose painting with an emphasis on their commonalities.

291 ophenyl Ab-forming cell responses after skin painting with picryl chloride.

292 nomic in situ hybridization (GISH) allowed B painting with the parental DNAs.

293 nking TPA raised AP-1 activity 8.4-fold, and painting with TPA caused a 2.4-fold induction of AP-1 ac

294 ed a 1.2-fold increase in AP-1 activity, but painting with TPA had no effect.

295 roscopy permits nondestructive 3D imaging of paintings with molecular and structural contrast, even f

296 ed a meager tool for the characterization of paintings with paint-layer thicknesses smaller than 50 m

297 tual cross-sectioning capabilities in mockup paintings, with pigment separation and nondestructive im

298 aning art, in particular modern/contemporary paintings, with traditional tools could be risky and imp

299 ears, egg white was used to coat and protect paintings without detailed understanding of its molecula

300 Technical examination of the painting Young Woman Seated at a Virginal by cross secti